Eberhardt, Robert und Schreiner, Heike, 2006, Wiener Musikbetriebe – Geschäftsmodelle in der “Vienna Electronica”-Szene, Master Thesis, Vienna University of Economics and Business Administration.
Goebl, Hellmut, 2006, (Geschäfts-)Modelle für den digitalen Musikvertrieb über das Internet. Master Thesis, Vienna University of Economics and Business Administration.
Matoušek, Daniel, 2012, Digitální distribuce hudby. Master Thesis, Masaryk University Brno.
Mitrou, Evangelos, 2007, Marketing vor dem Hintergrund des digitalen Musikvertriebs. Master Thesis, Culture Management Program at the Institute of Culture Management and Culture Sciences in Vienna.
Mitrou, Evangelos, 2007, Neue Erlöspotentiale für Musiker durch digitale Kommunikations- und Vertriebskanäle. Music Management Program at the Danube University Krems.
Moyon, Emilien, 2011, Le changement du business model de l’entreprise: Une étude des majors de l’industrie phonographique (1998-2008). Dissertation, Université Lille I. (60 page summary in English)
Pulverer, Gerold, 2010, “The Music Industry in a Digital Hassle”. An Empirical Analysis on the Adoption of E-Business-Models for Online Music Distribution. Master Thesis, Vienna University of Economics and Business Administration.
Rütgen, Monica, 2011, Warum verwenden Musikschaffende Creative Commons Lizenzen? Eine qualitativ-empirische Analyse der Motive für die freie Weitergabe von Musikwerken. Master Thesis, Culture Management Program at the Institute of Culture Management and Cultur Sciences in Vienna.
Schmidt, Dominik-Lukas, 2009, Label 2.0. Das Independent Label im digitalen Zeitalter. Master Thesis, Culture Management Program at the Institute of Culture Management and Culture Sciences in Vienna.
Trömer, Robert, 2010, Neue Erlösmodelle für die Musikindustrie im Web 2.0. Master Thesis , Master Program Media Management, University of Applied Studies St. Pölten.
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