Archive for the 'Conferences' Category

01
Dec
16

Call-for-Papers: 8th Vienna Music Business Research Days, September 12-14, 2017

vmbrd-logoThe 8th Vienna Music Business Research Days will be held at the University of Music and Performing Arts Vienna (Anton-von-Webern-Platz 1, 1030 Vienna/Austria) from 12-14 September 2017. The overall topic of the next conference is the question “Unchaining the Digital Music Business?”. Digitization of the music industry has not reduced the market and gatekeeping power of the industry’s intermediaries as predicted by the long-tail and disintermediation hypotheses. However, it seems that the digital music business has become a blockbuster business with new powerful players appearing on the scene (e.g. Apple, Google/YouTube, Amazon). However, innovations such as the blockchain technology again challenge the newly established value-added network by providing tools for artists to circumvent intermediaries. Thus, the 8th Vienna Music Business Resarch Days will highlight the current developments with new research findings.

The call-for-papers for the conference track day on September 13, 2017 encourage all researchers (from post-doc level on) to submit paper proposals on the broad field of music business research including for e.g.:

  • Past, current and future developments in the music industry (recorded music industry, live music sector, music publishing, music retailing and wholesaling, music instruments industry etc.);
  • Music market research and music charts research;
  • The economic and social situation of musicians as well as the labor market for musicians;
  • The management of musicians and music institutions;
  • Gender and diversity in the music business;
  • The marketing of music;
  • Music branding and sponsoring;
  • Public and private funding of the music sector (including new forms of music funding such as crowdfunding);
  • Case studies on music companies and other music institutions;
  • Legal aspects of the music business (contracts, copyright, competition law/policy etc.);
  • Music licensing and collecting societies;
  • Music media (radio, TV, online-based media etc.);
  • Economic aspects of music genres (classical, pop/rock, jazz, world music markets etc.);
  • Business-related music education;
  • Music export;
  • etc.

Please send an abstract of your proposal to vmbrdays@gmail.com no later than March 31, 2017.

 

Other important dates:

May 15, 2017: Notification of acceptance

July 31, 2017: Submission deadline for full papers

September 13, 2017: Conference track day

September 14, 2017: Conference day for invited speakers on “Unchaining the Digital Music Business?”

 

Registration:

Registration fee – early bird (until July 31, 2017): 175,- Euro

Registration fee:                                                    225,- Euro

End of registration (no refund after this date):      August 31, 2017

 

For students at all levels of the MA & PhD a doctoral colloquium (7th Young Scholars’ Workshop) will be held as part of the 8th Vienna Music Business Research Days on September 12, 2017. Find a separate call for papers here.

 

Contact:

Dagmar Abfalter (mailto: vmbrdays@gmail.com)

Department of Cultural Management and Gender Studies (IKM)

University of Music and Performing Arts, Vienna

Anton-von-Webern-Platz 1, 1030 Vienna, Austria

Tel.: +43-1-71155-3418

01
Dec
16

Call-for-Papers: 7th Young Scholars’ Workshop of the 8th Vienna Music Business Research Days, September 12, 2017

vmbrd-logoThe Young Scholars’ Workshop, as part of the 8th Vienna Music Business Research Days (Vienna, Austria), invites once again young researchers to submit paper abstracts of all disciplines exploring questions that help understand economic and managerial problems as well as processes of the music business sector and in the field of music management. There are many questions that call for investigation and need to be discussed in music business research, for example:

  • What drives innovation in the music business sector?
  • How can we scientifically understand and differentiate music business models?
  • What do we know about critical success factors? Have success factors changed over time – and has music business (entrepreneurship) changed in general?
  • What rationalities affect this very “personal” industry?
  • What does it mean to be self-managed in the music business?
  • What can we learn about the customer’s willingness to pay for music recordings or related goods?
  • Who will control the future music market, e.g., startups or Apple?
  • How can we understand the role of brands and the music industry?
  • And how can music business research support efforts for innovative business models?
  • What issues of gender, class or “race” exist in a music business context? How are they dealt with?

 

These research questions are not exhaustive, papers may also address other aspects.

The workshop organizers Prof. Dr. Carsten Winter (Hanover University of Music, Drama and Media) and Prof. Dr. Peter Tschmuck (University of Music and Performing Arts Vienna) strongly encourage submissions from students at all levels of MA & PhD. Students are supposed to work on their MA or PhD thesis and discuss it with senior researchers of music business research.

Abstracts (of about 1,000 characters) are due by March 31, 2017, and full papers (15-30 pages) are due by July 31, 2017. Only abstracts and papers submitted on time will be considered.

A maximum of 6-8 papers will be selected for presentation to guarantee a workshop atmosphere. The sessions will combine paper presentations and discussions including interactive elements. Information on the acceptance of the paper proposal will be sent until May 15, 2017, at the latest.

Please email your submission to viennamusicresearch@hmkw.de

Paper proposals and final papers must be submitted as pdf documents and should include contact information, at least affiliation, e-mail address, telephone number and postal address of the author(s).

 

For researchers on the post-doc level a separate call-for-papers for the conference track day on September 13, 2017 can be found here.

 

 

 

11
Oct
16

The 7th Vienna Music Business Research Days in retrospective

vmbrd-logoThe 7th Vienna Music Business Research Days on “Self-Management in the Digital Music Business” are already history. International music business researchers and business professionals gathered at the University of Music and Performing Arts to discuss the challenges and chances of the digital music economy.

In the Young Scholars’ Workshop graduate and PhD students from Canada, Germany, Norway, Poland, Spain and Russia presented their theses in a closed workshop in group of highly regarded music business/industry researchers. Lorenz Grünewald of the University of Applied Sciences for Media, Communication and Management Berlin was awarded for his paper “The (In)significance of the Brand: Brands & Music Culture”. The paper will be published in the International Journal of Music Business Research (IJMBR).

The conference track day on September 28 brought together music business academics from Australia, Austria, Colombia, Denmark, Finland, Germany, Italy, Norway, Slovenia and Spain, who presented recent research results on the music business/industry.

The third conference day was again held in cooperation with the Waves Music Festival & Conference and was devoted to the topic of “Self-Management in Digital Music Business”.

For a detailed coverage of the entire conference– including most of the papers and presentation slides as well as the audio and video streams of all talks and discussions of the third conference day on Sep. 29th – please click here.

Continue reading ‘The 7th Vienna Music Business Research Days in retrospective’

26
Sep
16

7th Vienna Music Business Research Days on “Self-Management in the Digital Music Business”

VMBRD-logo.jpgThe 7th Vienna Music Business Research Days on “Self-Management in the Digital Music Business” are held from Sep. 27-29, 2016 at the University of Music and Performing Arts Vienna. As in the prior years, music business research from all around the world and music industry prfessionals will discuss current developments in the music business/industry in numerous presentations and panel discussions.

The Young Scholars’ Workshop (closed event) gathers for the sixth time students from all around the globe to present their research projects and to discuss them with renown music business researchers.

After the workshop,  Angela Myles Beechings presents her book in the keynote “Beyond Talent: the Psychology of Music Entrepreneurship and Self Management” in IKM’s Large Conference Room on Sep. 27th  from 19:30-21:00 (building E on university’s campus).

On Sep. 28th, music business researchers from eight different countries present their recent findings on the music business/industry. The topics range from the economics and psychology of music streaming and music education to team diversity in sound recording projects: Click here for the program.

The entire last conference day on Sep. 29th, is devoted to the conference’s main topic.  Martin Lücke (Macromedia University, Berlin) talks on best-practice models of career centers at music universities, before moderating a panel discussion with Gretchen Amussen (L’Association Européenne des Conservatoires, Paris), Angela Myles-Beeching (Manhattan School of Music, New York) and Stefan Simon (Music University Detmold) on the same topic.

After the panel discussion, music consultant Johannes Ripken highlights his concept of “Organic Artist Development”.

After the lunch break (14:00),  Stephen Power highlights in a keynote speech his very personal approach of “Self-Management in the Digital Music Business”. Stephen Power is a very successful music producer working with Robbie Williams, Blur, Diana Ross etc. In the following panel discussion, the successful Austrian music producer and vice-president of the Austrian Composers’ Society, Harald Hanisch, moderates a panel with Roxanne de Bastion (musician, London), Keith Harris (manager of Stevie Wonder, London), Stephen Power (music producer, London) and Johannes Ripken (musik consultant, Kiel) the challenges of “Self-Management in the Digital Music Business”.

The last conference day will be closed with awarding the best paper of the Young Scholars’ Workshop.

Conference program: https://musicbusinessresearch.wordpress.com/vienna-music-business-research-days-2/

How to get there and campus map: https://musicbusinessresearch.wordpress.com/vienna-music-business-research-days-2/conference-site-how-to-get-there/

Video-Livestream on Sep. 29th: http://www.mdw.ac.at/mdwMediathek/livestream/

Facebook: http://www.facebook.com/ViennaMusicBusinessResearchDays

Twitter: https://twitter.com/VMBRD

23
Sep
16

Introducing our guests: Roxanne de Bastion (musician, London)

foto-roxanne-de-bastionThe 7th Vienna Music Business Research Days from Sep. 27-29, 2016 are devoted to “Self-Management in the Digital Music Business”. International music business experts, therefore, discuss the challenges and chances of artist self-management as well as the future development. Find the program here.

As a self-managed artist, the London-based musician Roxanne de Bastion completes the panel on “Self-Management in the Digital Music Busines” in Joseph Haydn-Hall on Sep. 29th from 15:30-17:00. The other panelists are: Steve Power (music producer, London), Keith Harris (manager of Stevie Wonder, London) and Johannes Ripken (music consultant, Kiel). The moderator of the discussion is Harald Hanisch, successful music producer and vice president of the Austrian Composers’ Society.

Roxanne de Bastion is a singer, songwriter and performer. Born in Berlin to a musical, bilingual family, she started composing and performing at the age of 15. Soon after, Roxanne took her career in her own hands and moved to London, equipped only with her guitar, her songs and a one-way ticket.

Since then, Roxanne has released her debut album “The Real Thing” on her own label, Nomad Songs, and regularly tours across the UK, mainland Europe and the USA. Her music has gained support from BBC6, Xfm, R2 Magazine, The Sunday Times as well as major radio stations across Europe and MTV Germany.

As an independent musician she offers insight into the everyday workings of life as an artist in today’s ever-changing industry and has been invited to speak on subjects such as ‘the future of music’, ‘copyright in the digital age’ and ‘music streaming’. In 2014, Roxanne was invited to join the board of the FAC in order to represent up-and-coming musicians. The following year, Roxanne founded FM2U, a conference and network specifically from and for independent musicians.

 

“Standout number…astonishingly assured” (The Sunday Times)

“A real mover and shaker in the independent music world and a great writer” (Ruth Barnes, Amazing Radio)

“One of the most perfect voices I’ve ever heard” (Tom Whalley, BBC6)

 

Check her webpage: http://www.roxannedebastion.com/

YouTube channel: https://www.youtube.com/channel/UCt7_SjYMYipAapOifHOoHgA

Soundcloud account: https://soundcloud.com/roxanne-de-bastion

Twitter account: https://twitter.com/roxannemusic

Facebook account: https://www.facebook.com/roxannedebastion

 

21
Sep
16

Introducing our guests: Steve Power (music producer, London)

stephen-power-photoThe 7th Vienna Music Business Research Days from Sep. 27-29, 2016 are devoted to “Self-Management in the Digital Music Business”. International music business experts, therefore, discuss the challenges and chances of artist self-management as well as the future development. Find the program here.

The London-based highly regarded music producer Steve Power will hold the keynote on the conference’s main topic on Sep. 29 from 14:00-15:00. In the following panel discussion, Steve Power discusses on “Self-Management in the Digital Music Business” with Roxanne de Bastion (musician, London), Keith Harris (manager of Stevie Wonder, London) and Johannes Ripken (music consultant, Kiel).

Steve Power was born in Liverpool and as a teenager was was part of the nascent punk and new wave scene of the late seventies there. The band he was in were signed to Richard Branson’s Virgin records in 1981. The band used a large part of their record company advance to create a professional recording studio and made their album there.

When the band went on the road to promote the album Power remained behind and ran the studio as a commercial enterprise and worked with bands such as Dead or Alive and Frankie goes to Hollywood.

In 1984 Steve moved to London and after a while became a house engineer at Battery studios. Here he worked with artist such as Billy Ocean, Womack and Womack, and Bon Jovi. In the late 1980’s he produced Blur and worked with a number of other notable guitar bands such as The Stone Roses, and mixed tracks for The Charlatans.

After a quiet period in the early 1990’s when Power almost gave up the business, success on a grander scale finally arrived. Spaceman (Babylon Zoo), You’re Gorgeous (Babybird), preceded 26 hit singles with Robbie Williams including Angels, Strong, She’s the One, Millenium and Rock Dj followed.

Since then Steve has produced Joe Cocker, Diana Ross, Kylie Monogue, Enrique Iglesias and Andrea Bocceli, and continues to be be busy, production credits on the most recent Gary Barlow and Robbie Williams of only a couple of years ago demonstrate that he is still in demand.

Check Steve’s webpage: http://www.stevepowermix.co.uk/

 

 

 

19
Sep
16

Introducing our guests: Keith Harris (manager of Stevie Wonder, London)

keith-harris-colour-photoThe 7th Vienna Music Business Research Days from Sep. 27-29, 2016 are devoted to “Self-Management in the Digital Music Business”. International music business experts, therefore, discuss the challenges and chances of artist self-management as well as the future development. Find the program here.

In the afternoon of Sep. 29th, a top-class panel discusses “Self-Management in the Digital Music Business” in Joseph-Haydn-Hall from 15:30-17:00. Keith Harris, manager of Stevie Wonder, is one of the panelists. Keith started in the music industry in 1974 working for Transatlantic, a small independent UK label. In 1976 Keith joined EMI Records where he initially worked for several in-house EMI labels in the promotions department. These included Rocket where he worked on the Elton John album ‘Blue Moves’, Fantasy, Ariola and EMI International. He then joined Motown becoming General Manager working with artists such as Marvin Gaye, Diana Ross, Smokey Robinson and Stevie Wonder. He left in 1978 to work with Stevie Wonder and became Operations Manager for his companies.

In 1982 he formed his own management company and was involved in the management of various UK based artists, while also continuing to represent Stevie Wonder. He is a Senior Fellow of the University of Westminster School of Music, Film and Fashion where he has lectured since 1993. He is a former Chairman of the MMF, the managers’ trade body, and he is the Chairman of Musictank. Keith joined PPL in 2006 and was made an Honorary Doctorate by the University of Westminster in November 2007.

 

 




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