On March 3, 2017, an international workshop on “The Blockchained Music Business” was organized by the Department of Cultural Management and Gender Studies (IKM) of the University of Music and Performing Arts Vienna and the Music Information Center Austria (MICA). Carlotta De Ninni (Mycelia for Music Foundation, London), Peter Jenner (Sincere Management, London) and Benji Rogers (PledgeMusic & Dot Blockchain Music, New York) were the workshop supervisors focusing on different aspects of the blockchain technology’s impact on the music business. The third part of the workshop’s summarizes the results of the workshop group discussing the question, if the blockchain is a useful tool for setting up a global music rights database. The workshop group was supervised by Peter Jenner (Sincere Management, London) and you find the summary here:
Archive for the 'seminars etc.' Category
Tags: Benji Rogers, blockchain, collecting societies, cutting out the middlemen, disintermediation, Dot Blockchain Music, fairness, intermediaries, music distributors, music managers, music publishers, Performing Rights Association, PRO, record labels, recorded music companies, transparency
On March 3, 2017, an international workshop on “The Blockchained Music Business” was organized by the Department of Cultural Management and Gender Studies (IKM) of the University of Music and Performing Arts Vienna and the Music Information Center Austria (MICA). Carlotta De Ninni (Mycelia for Music Foundation, London), Peter Jenner (Sincere Management, London) and Benji Rogers (PledgeMusic & Dot Blockchain Music, New York) were the workshop supervisors focusing on different aspects of the blockchain technology’s impact on the music business. In the second part of the workshop’s summary, we focus on the discussion of the workshop-group on the impact of blockchain technology on the music industry’s intermediaries that was supervised by Benji Rogers (PledgeMusic & Dot Blockchain Music, New York).
On March 3, 2017, an international workshop on “The Blockchained Music Business” was organized by the Department of Cultural Management and Gender Studies (IKM) of the University of Music and Performing Arts Vienna and the Music Information Center Austria (MICA). Carlotta De Ninni (Mycelia for Music Foundation, London), Peter Jenner (Sincere Management, London) and Benji Rogers (PledgeMusic & Dot Blockchain Music, New York) were the workshop supervisors focusing on different aspects of the blockchain technology’s impact on the music business. In this first part of the summary of the workshop, you can read the results of the workshop group led by Carlotta De Ninni that discussed the opportunities and challenges of blockchain technology for artists.
The 7th Vienna Music Business Research Days will be held at the University of Music and Performing Arts Vienna, Austria, from September 27 to 29, 2016.
Music Business Research is an inter-discipline at the intersection of economic, artistic, cultural, social, legal, technological and further developments which contribute to the creation/production, dissemination/ distribution and reception/consumption of music. This interdisciplinary nature calls for methodological multiplicity and is open to scholars from all scientific areas.
The conference organizers invite scholars (from the postdoctoral level on) who have a research focus on music business/industry related topics to submit a paper proposal for the conference day on September 28, 2016.
Indicative themes on all music business research areas, include, but not limited to:
- Self-management and career development (institutional and private) of music artists
- Past, current and future developments in the music industry (recorded music industry, live music sector, music publishing, music retailing and wholesaling, music instruments industry etc.);
- Music market research and music charts research;
- The economic and social situation of musicians as well as the labor market for musicians;
- The management of musicians and music institutions;
- The marketing of music;
- Music branding and sponsoring;
- Public and private funding of the music sector (including new forms of music funding such as crowdfunding);
- Case studies on music companies and other music institutions;
- Legal aspects of the music business (contracts, copyright, competition law/policy etc.);
- Music licensing and collecting societies;
- Music media (radio, TV, online-based media etc.);
- Economic aspects of music genres (classical, pop/rock, jazz, world music markets etc.);
- Business-related music education;
- Music export;
Gender issues are welcome and can be included in almost every research topic mentioned above.
Please send an abstract of your proposal to email@example.com no later than April 30, 2016.
All submissions must include a Title, Authors (names, affiliations, e-mails of all authors and a notation (*) of the corresponding author), an abstract of 1,000-1,500 words and 3-5 keywords. Abstracts must be submitted in English, as a MS Word file (*.doc or *.docx) or *.pdf file, and include:
- Objectives of the research
- Brief description of the disciplinary/theoretical context/background
- Research questions and/or hypotheses
- Main or expected conclusions / contribution
- Main references
Abstracts will be subject to a double-blind peer-review process by an international jury, and authors will be notified of acceptance by June 01, 2016.
Final papers should not exceed 7,000 words (including abstracts, figures, tables, references and appendices) and follow the author guidelines of the International Journal of Music Business Research (IJMBR). The best paper will be offered publication in IJMBR.
The Young Scholars’ Workshop, as part of the 7th Vienna Music Business Research Days (Vienna, Austria), invites once again young researchers to submit paper abstracts of all disciplines exploring questions that help understand economic and managerial problems as well as processes of the music business sector and in the field of music management. There are many questions that call for investigation and need to be discussed in music business research, for example:
- What drives innovation in the music business sector?
- How can we scientifically understand and differentiate music business models?
- What do we know about critical success factors? Have success factors changed over time – and has music business (entrepreneurship) changed in general?
- What rationalities affect this very “personal” industry?
- What does it mean to be self-managed in the music business?
- What can we learn about the customer’s willingness to pay for music recordings or related goods?
- Who will control the future music market, e.g., startups or Apple?
- How can we understand the role of brands and the music industry?
- And how can music business research support efforts for innovative business models?
These research questions are not exhaustive, papers may also address other aspects.
The workshop organizers Prof. Dr. Carsten Winter (Hanover University of Music, Drama and Media) and Prof. Dr. Peter Tschmuck (University of Music and Performing Arts Vienna) strongly encourage submissions from students at all levels of MA & PhD. Students are supposed to work on their MA or PhD thesis and discuss it with senior researchers of music business research.
Abstracts (of about 1,000 characters) are due by April 30, 2016, and full papers (15-30 pages) are due by August 31, 2016. Only abstracts and papers submitted on time will be considered.
A maximum of 6-8 papers will be selected for presentation to guarantee a workshop atmosphere. The sessions will combine paper presentations and discussions including interactive elements. Information on the acceptance of the paper proposal will be sent until June 1, 2016, at the latest.
Please email your submission to firstname.lastname@example.org
Paper proposals and final papers must be submitted as pdf documents and should include contact information, at least affiliation, e-mail address, telephone number and postal address of the author(s).
In cooperation with
Tags: broadcasting, Creative Mornings Vienna, creativity and innovation in the music industry, digital revolution, EDM revolution, indie labels, Jazz revolution, major labels, music business, music industry, paradigm shift, record labels, Revolution, Rock 'n' Roll revolution
On June 26, 2015, the Creative Mornings Vienna were devoted to the topic “revolution”. I had the honor to talk about the “Revolutions in der Music Industry” at University of Music and Performing Arts Vienna. For those who did not read my book “Creativity and Innovation in the Music Industry” yet, can enjoy a short YouTube video version on the Jazz revolution, Rock ‘n’ Roll revolution and the current digital revolution in der music industry: “Revolution in the Music Industry – Creative Mornings Vienna, June 26, 2015”.
You can find more on the concept of the international breakfast lecturing series here: http://creativemornings.com/
Tags: Ananay Aguilar, Andy Chen, artist income, Artist Revenue Project, Beate Flath, Bettina Schasse de Araujo, Bodo Balazs, business models, Christian Handke, Daniel Nordgard, Denis Crowdy, Dennis Collopy, Diane Hughes, Elke Schüßler, Emilien Moyon, Ercilia García Álvarez, Erik Hitters, Florian Drücke, Franz Schumacher, Glaucia Peres da Silva, Guy Morrow, Joan-Josep Vallbé, Jordi López Sintas, José Maria Álvarez-Monzoncillo, Keith Harris, Kristiansand Round Table Initiative, Kristin Thomson, Marc Marot, Mark Evans, Monetizing Music, music streaming, Nives Mikelić Preradović, Patrick Waelbroeck, Paul Resnikoff, Regulatory conversation, Ronnie Gey, Sarah Keith, Sergej Lugović, Sheila Sánchez Bergara, Stephan Klingner, Vienna Music Business Research Days 2014, Werner Jauk, young scholars' workshop
The 5th Vienna Music Business Research Days were devoted to the question “How to Monetize Music in the Digital Age”? Academics and business professionals answered this questions from different perspectives. The VMBR-Days 2014 were held in cooperation with the Waves Vienna Music Festival & Conference and attracted an even larger international audience than in the years before. On Oct 3rd, a conference track day complemented the invited conference day on Oct 2nd for the first time. Academics from Austria, Australia, Brasil, Croatia, Germany, Hungary, the Netherlands, Norway, Spain, Sweden and United Kingdom presented recent findings of a wide range of music business research topics.
The Young Scholars’ Workshop gathered for the fourth time students and mentors/discussants from more than 10 countries to discuss the findings a papers derived from master and PhD theses (see also the webpage of the Young Scholars’ Workshop 2014).
For a detailed coverage of the whole conference– including most of the papers and presentation slides as well as the audio streams of all talks and discussions of Oct 2nd – please click here. Continue reading ‘5th Vienna Music Business Research Days in Retrospective’