Archive Page 2

27
Sep
15

Introducing our guests: Kieran Garvey (Cambridge University)

Foto Kieran GarveyThe 6th Vienna Music Business Research Days 2015 focus on “Financing Music in the Digital Age”. International experts and academics discuss new and alternative revenue sources for the music scene such as music streaming for the classic music business, crowdfunding and business angel funding.

Since Bryan Zhang cannot participate in the Vienna Music Business Research Days 2015 due to health problems, his colleague, Kieran Garvey, will talk about “Alterative Financing of Music” in Joseph Haydn-Hall from 11:45-12:30 on October 1.

Kieran Garvey is the Policy Programmes Manager and Research Associate at the Cambridge Centre for Alternative Finance, helping to coordinate and deliver the Centre’s world class, alternative finance benchmarking reports. He is also involved in developing the Centre’s policy development networks, seeking to balance the promotion of financial innovation in the industry, while also ensuring investor interests are safeguarded.

Previously, Kieran was the Head of Partnership at Crowdcube, a leading equity crowdfunding platform, where he helped establish their presence in London and Northern England. He was also responsible for sourcing and securing 40 companies that went on to raise over €20 million. His role focussed on building strategic partnerships with a wide array of organisations, supporting all manner of entrepreneurs across a wide range of sectors and stages.

Prior to this, Kieran was a Parliamentary Crowdfunding Advisor helping to establish the All-Party Parliamentary Group on Crowdfunding and Non-Bank Finance. He also ran the day-to-day operations of the UK Crowdfunding Association, representing all crowdfunding models to promote the sector as a valuable and viable means to raise funds to the public, press and policymakers. Before this, he established a microfinance venture in Vietnam, inspired by Kiva.

25
Sep
15

Introducing our guests: Christopher Widauer (Vienna State Opera)

Foto Christopher WidauerThe 6th Vienna Music Business Research Days 2015 focus on “Financing Music in the Digital Age”. International experts and academics discuss new and alternative revenue sources for the music scene such as music streaming for the classic music business, crowdfunding and business angel funding.

Christopher Widauer, Head of Digital Development at the Vienna State Opera, will participate in the discussion on “The Economic Relevance of Classical Music Streaming” in Joseph Haydn-Hall of the University of Music and Performing Arts Vienna from 10:15-11:15 on October 1, 2015.

Christopher Widauer studies and works at Department of Philosophy, Salzburg and was then an arts manager in Germany and Austria, e.g. at Schubertiade Hohenems and as director of Styriarte Festival in Graz with Nikolaus Harnoncourt. From 1988-1991, he Developed a ticketing software that was installed in venues such as Viennese Konzerthaus Vienna, Salzburg Festival or Elbphilharmonie Hamburg. In 1989, he founded a puppet theatre for contemporary literature and music, touring internationally and playing at important festivals such as Biennale di Venezia, Bregenz, Lucerne, Kiev, Seoul, Bangkok, or Paris. From 2010-2013, he was Head of Theatre Department for Vienna’s City Councillor of Cultural Affairs. Since 2013, he is Head of Digital Development at Vienna State Opera, by developing and implementing a live broadcast programme that was launched in fall 2013.

 

 

24
Sep
15

Introducing our guests: Christof Papousek (Cineplexx International GmbH)

Foto Christof PapousekThe 6th Vienna Music Business Research Days 2015 focus on “Financing Music in the Digital Age”. International experts and academics discuss new and alternative revenue sources for the music scene such as music streaming for the classic music business, crowdfunding and business angel funding.

Christof Papousek, CFO of the Cineplexx International GmbH, will be joining the discussion on “The Economic Relevance of Classical Music Streaming” in Joseph Haydn-Hall of the University of Music and Performing Arts Vienna from 10:15-11:15 on October 1, 2015.

Christof Papousek has a high school degree in technical engineering and made his master of business administration at Vienna University of economy and commerce. He is specialized in accountancy, tax law and revision. During his studies he worked already as audit assistant at KPMG where he joined as a consultant after his university degree. After a couple of years of consulting and auditing work, Christof Papousek joined Constantin-Film group of companies, where he reconstructed the financial department and company structure. In 2004 he became managing director and in 2008 he joined as entrepreneur and Co-share holder in the international cinema operation. He is also covering several functions in the Austrian chamber of commerce representing film & cinema industry.

 

 

23
Sep
15

Introducing our guests: Luke O’Shaughnessy (The Opera Platform, Brussels)

Foto Luke O’ShaughnessyThe 6th Vienna Music Business Research Days 2015 focus on “Financing Music in the Digital Age”. International experts and academics discuss new and alternative revenue sources for the music scene such as music streaming for the classic music business, crowdfunding and business angel funding.

Luke O’Shaughnessy, Secretary General of the Opéra de Dijon and Project Manager of The Opera Platform in Brussels will be one of the panelists in the discussion on “The Economic Relevance of Classical Music Streaming” in Joseph Haydn-Hall of the University of Music and Performing Arts Vienna from 10:15-11:15 on October 1, 2015.

Born and raised in London, Luke O’Shaughnessy started his career working as an administrator of several contemporary music festivals including Huddersfield Contemporary Music Festival in the North of England, the Almeida Opera Festival in London and Ars Musica in Brussels.  Between 2002 and 2008, Luke worked as Director of RESEO (European Network for Opera and Dance Education); during this period the network grew considerably and secured a number of grants from the European Commission (EC).  Based in France since 2009, Luke worked for four years as Secretary General of the Opéra de Dijon.  In parallel to work as a freelance consultant on international cooperation projects, Luke’s main activity is now as Project Manager of The Opera Platform, Opera Europa’s innovative project, funded by the EC’s Creative Europe programme, to bring live streams from 15 partners opera houses in 12 countries to audiences on the web.

 

 

21
Sep
15

Introducing our guests: Robert Zimmermann (Berlin Phil Media GmbH)

Foto R. ZimmermannThe 6th Vienna Music Business Research Days 2015 focus on “Financing Music in the Digital Age”. International experts and academics discuss new and alternative revenue sources for the music scene such as music streaming for the classic music business, crowdfunding and business angel funding.

Robert Zimmermann, CEO of the Berlin Phil Media GmbH of the Berlin Philharmonic Orchestra, will join the panel discussion on “The Economic Relevance of Classical Music Streaming” in Joseph Haydn-Hall of the University of Music and Performing Arts Vienna from 10:15-11:15 on October 1, 2015.

Robert Zimmermann, management consultant and film producer with a long track record within the media industry, is the CEO of Berlin Phil Media GmbH and initiator of the Digital Concert Hall of the Berliner Philharmoniker. In this unprecedented online concert venue, all concerts of the Berliner Philharmoniker are broadcast live online and later become available within a video archive. This archive, a who is who of classical music, already boasts more than 320 concerts from seven seasons.

As manager and consultant, Mr. Zimmermann has worked on a wide variety of projects for prestigious clients such as Lufthansa, the World Bank Group and various international banks. He has held several posts as restructuring manager and is managing partner of eins54 Film GmbH.

As a film producer, he produced award-winning culture and music programs such as “One Night. One Life” and “Dichterliebe” which both feature Christine Schäfer. Mr. Zimmermann’s connection with the Berliner Philharmoniker goes back to his production of the silent movie “Le Sacre du Printemps” which was accompanied by the Berliner Philharmoniker and Sir Simon Rattle during Berlinale 2004.

18
Sep
15

Introducing our guests: Dagmar Abfalter (University of Music and Performing Arts Vienna)

Foto Dagmar AbfalterThe 6th Vienna Music Business Research Days 2015 focus on “Financing Music in the Digital Age”. International experts and academics discuss new and alternative revenue sources for the music scene such as music streaming for the classic music business, crowdfunding and business angel funding.

Dagmar Abfalter and Serge Poisson-de Haro are opening the third conference day by answering the question is “Opera Streaming a New Revenue Source?” They will present findings of their joint research project on opera streaming projects of intenational opera houses such as New York City’s MET and Viennese State Opera.

Dagmar Abfalter is a Assistant Professor at the Institute for Cultural Management and Cultural Studies (IKM) at the University of Music and Performing Arts Vienna. She holds a doctoral degree in Social and Economic Sciences from the University of Innsbruck and an MBA in International Arts Management from ICCM/University of Salzburg.  Her major research areas include leadership and strategy in creative and expert environments, experience innovation and new business models as well as other domains of intersection between business and the arts. She currently works on streaming business models for opera and a case study on the Museumsquartier Vienna. Another stream of research deals with qualitative research methodology and innovative research methods. Dagmar has published a book on the construction of success in music theater in German and a range of scientific articles in international peer reviewed journals.

17
Sep
15

Introducing our guests: Serge Poisson-de Haro (HEC Montreal, Canada)

Foto serge_poisson-de-haroThe 6th Vienna Music Business Research Days 2015 focus on “Financing Music in the Digital Age”. International experts and academics discuss new and alternative revenue sources for the music scene such as music streaming for the classic music business, crowdfunding and business angel funding.

Serge Poisson-de Haro and Dagmar Abfalter are opening the third conference day by answering the question is “Opera Streaming a New Revenue Source?” They will present findings of their joint research project on opera streaming projects of intenational opera houses such as New York City’s MET and Viennese State Opera.

Serge Poisson-de Haro is an Associate professor at HEC Montreal. His research interests are primarily in the areas of strategy, artistic organizations management, sustainability and experiential learning methods. He presented his research at leading international conferences in these fields and his publications appeared in journals such as International Journal of Arts Management, Journal of Arts Management Law and Society, Journal of Management Development, Management Decision, Revue française de gestion, Journal of Business Ethics Education, Gestion, among others. He recently published a book Strategic Management of Artistic Organizations (JFD Éditions). He has also published many case studies.




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