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05
Sep
17

The Economics of Music Streaming – Book presentation & Panel Discussion

In collaboration with the Austrian and Viennese Chamber of Commerce an additional event of the 8th Vienna Music Business Research Days 2017 wil take place in Gewerbehaus of the Austrian Chamber of Commerce (3., Rudolf Sallinger Platz 1) on September 13 from 19:00-21:00. After the book presentation “The Economics of Music” by Peter Tschmuck, Peter Jenner (Sincere Management, London), Sally Gross (University of Westminster, London), Hannes Tschürtz (ink music, Vienna) and Alexander Hirschenhauser (VTMÖ – Austrian Indie Label Association, Vienna) discuss on “The Economics of Music Streaming – Revenue Streams for Musicans and Music Producers from Spotify & Co?

Entrance is free, please register here: Austrian Chamber of Commerce (WKO)

 

The Economics of Music Streaming – Revenue Streams for Musicans and Music Producers from Spotify & Co?
September 13, 2017
19.00-21.00
Gewerbehaus
Große Dachterrasse
Rudolf Sallinger Platz 1, 1030 Wien

 

in collaboration with  Bildergebnis für WKÖ logo      and       Bildergebnis für wirtschaftskammer wien

 

 

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04
Sep
17

Introducing our guests: Carlotta de Ninni (Mycelia for Music, London)

The 8th Vienna Music Business Research Days from Sep. 12-14, 2017 are devoted to the question “Unchaining the Digital Music Business?”. Over the past few years new gatekeeping processes in the digital music business have emerged and international music business experts, therefore, highlight the role of new and old gatekeepers as well as the impact of innovative technologies such as the blockchain on structures and processes in the musis biz. Find the program here.

Carlotta de Ninni is one of the discussants of the panel “Unchaining the Digital Music Business” in Joseph Haydn-Hall on September 14 from 16:00-17:30. Other panelists are Kelly Snook, Professor of Media Arts Technology at the University of Brighton/UK), Alan Graham (OCL – OneClickLicence, London) and moderator Wolfgang Senges (ContentSphere, Berlin).

Carlotta has a background in audio engineering. But after further studies in media management she has been involved in many projects about the implementation of blockchain technology into the music industry. She is currently working with Imogen Heap as the Head of Research for Mycelia, where she is specialised in music copyright and licensing, blockchain technology, smart contracts and AR/VR.

 

 

01
Sep
17

Introducing our guests: George Musgrave (University of Westminster/UK)

The 8th Vienna Music Business Research Days from Sep. 12-14, 2017 are devoted to the question “Unchaining the Digital Music Business?”. Over the past few years new gatekeeping processes in the digital music business have emerged and international music business experts, therefore, highlight the role of new and old gatekeepers as well as the impact of innovative technologies such as the blockchain on structures and processes in the musis biz. Find the program here.

George Musgrave will be talking on “Control and Autonomy in the Digital Music Business” in Joseph-Haydn Hall from 11:45-12:45 on September 14, 2017. George Musgrave is a Senior Lecturer at the Faculty of Media, Arts and Design of the University of Westminster. He also lectures at Goldsmiths, University of London. George earned his PhD with “Creativity, Capital and Entrepreneurship: The Contemporary Experience of Competition in UK Urban Music” (external examiner was Prof. Keith Negus) from the the ESRC Centre for Competition Policy at the University of East Anglia.  He is an expert on researching the role of  intermediaries in the music industry, but he also highlights mental health and working conditions for musicians (see paper) in a current research project.

George Musgrave is also a practising musician signed to Atlantic Records and a songwriter for EMI/Sony-ATV publishing. He performed live at Reading Festival, Leeds Festival and Wireless (Olympic Park) and he is the winner of MTV Brand New 2012 as the first ever unsigned act.

 

30
Aug
17

Introducing our guests: Kelly Snook (University of Brighton/UK)

The 8th Vienna Music Business Research Days from Sep. 12-14, 2017 are devoted to the question “Unchaining the Digital Music Business?”. Over the past few years new gatekeeping processes in the digital music business have emerged and international music business experts, therefore, highlight the role of new and old gatekeepers as well as the impact of innovative technologies such as the blockchain on structures and processes in the musis biz. Find the program here.

Kelly Snook, Professor of Media Arts Technology at the University of Brighton, is one of the dicussants in the panel on “Unchaining the Digital Music Business?” in Joseph-Haydn Hall in the afternoon of Sep. 14. She will highlight the impact of blockchain technology but also other innovative technologies on the music business. Other panelists are Carlotta de Ninni (Mycelia for Music Foundation, London/UK), Alan Graham (OCL – OneClickLicence, London) and moderator Wolfgang Senges (ContentSphere, Berlin).

Kelly Snook is a music producer, engineer, and data sonification researcher based in London and Portland, Oregon. She is one of the original developers of the mi.mu gloves for gestural control of music and visuals. She currently serves as Professor of Media Arts Technology at the University of Brighton and holds a Ph.D. in Aeronautics and Astronautics from Stanford University. She spent two decades as a NASA Research Scientist with a focus on Mars and the moon, before turning her attention to music full-time in 2010 when she joined Imogen Heap as her studio manager and musical assistant. Her current research project is the development of Concordia, an immersive musical instrument for scientific exploration based on the work of Johannes Kepler, which allows people to experience and play the music of the spheres. She also runs her own recording studio, called “It’s Not Rocket Science Studios,” in Portland, producing and mixing music by independent musicians.

 

 

28
Aug
17

Introducing our guests: Wolfgang Senges (contentSphere, Berlin)

The 8th Vienna Music Business Research Days from Sep. 12-14, 2017 are devoted to the question “Unchaining the Digital Music Business?”. Over the past few years new gatekeeping processes in the digital music business have emerged and international music business experts, therefore, highlight the role of new and old gatekeepers as well as the impact of innovative technologies such as the blockchain on structures and processes in the musis biz. Find the program here.

Wolfgang Senges is the keynote speaker on “The Benefits and Challenges of Blockchain Technology in the Music Business” in Joseph-Haydn Hall at the University of Music and Performing Arts Vienna in the afternoon of Sep. 14. He will also moderate the following panel discussion “Unchaining the Digital Music Business?” that highlights the impact of blockchain technology but also other innovative technologies on the digital music business.

Wolfgang Senges is a freelance advisor in music and technology and co-founder of the Blockchain Working Group. Following up to positions in marketing and project management at software providers he co-curated all2gethernow and worked as Co-Head of Programme at Berlin Music Week. For promotional service Songpier he was in charge of marketing. He co-founded Cultural Commons Collecting Society SCE (C3S SCE) where he held the role of an Executive Director. Artists he worked with include Marillion, Martin Atkins, Amanda Palmer, Ingrid Chavez, Zoe Leela and Luci van Org. Core topics of his work are the evolution of technology and its impact on the music industry, and Blockchain in particular. Publications: “Innovative Geschäftsmodelle der Online-Distribution” (2008); “ContentSphere: Readings in Music and Technology” (2008-2017)[1]; “Blockchain als Chance der Verwertungsgesellschaften” (2017). Contact: wolfgang.senges@contentsphere.de

[1] https://www.contentsphere.de/blog

 

 

25
Aug
17

Introducing our guests: Sally Gross

The 8th Vienna Music Business Research Days from Sep. 12-14, 2017 are devoted to the question “Unchaining the Digital Music Business?”. Over the past few years new gatekeeping processes in the digital music business have emerged and international music business experts, therefore, highlight the role of new and old gatekeepers as well as the impact of innovative technologies such as the blockchain on structures and processes in the musis biz. Find the program here.

Sally Gross is a discussant on “New Gatekeeping Processes in the Digital Music Business” along with Scott Cohen  (The Orchchard, London and New York),  Sarita Stewart (Mike Curb College of Entertainment & Music Business at Belmont University in Nashville/USA) and Jake Beaumont-Nesbitt (International Music Managers Forum, London).

Sally Gross is the Program Director, MA Music Business Management at the University of Westminster. She started her career in the music industry as a music manager in 1990 and over the course of two decades has been involved with 5 acts (either as a manager or a record company director) that have each sold over a million records: Adamski, Rollo and Rob D (who are responsible for Dido), Urban Cookie Collective, William Orbit, Gotan Project and now One Direction with the song Little Things, penned by her client Fiona Bevan.

In 2000, she won the Helena Kennedy Award for Outstanding Legal Criticism whilst studying law at Birkbeck University, after which she spent a couple of years working in entertainment law.  She has been involved with all aspects of the music industry from raves in the French Alps to sold out shows at Hollywood Bowl to Sydney Opera House.

Sally continues to work as international business affairs manager for Ya Basta Records and Science et Melodie Publishing in Paris, home of Gotan Project and producer and DJ Philippe Cohen Solal and is currently working on an album and stage project about the world renown US outsider artist Henry Darger.

More recently Sally’s research interests have concerned working conditions and mental health issues within the music industries.

 

 

24
Aug
17

Introducing our guests: Scott Cohen

The 8th Vienna Music Business Research Days from Sep. 12-14, 2017 are devoted to the question “Unchaining the Digital Music Business?”. Over the past few years new gatekeeping processes in the digital music business have emerged and international music business experts, therefore, highlight the role of new and old gatekeepers as well as the impact of innovative technologies such as the blockchain on structures and processes in the musis biz. Find the program here.

Scott Cohen is a discussant on “New Gatekeeping Processes in the Digital Music Business” along with Sally Gross (Westminster University, London),  Sarita Stewart (Mike Curb College of Entertainment & Music Business at Belmont University in Nashville/USA) and Jake Beaumont-Nesbitt (International Music Managers Forum, London).

Scott is the co-founder of digital distribution pioneer The Orchard.  The Orchard is the world’s leading distributor of music, film and video with operations is 25 global territories.  As a well-recognized public speaker and lecturer, Scott travels the world evangelizing new business models for the digital age.

Scott’s music career started in the late 80’s in independent and major label artist management.  In addition to his responsibilities at The Orchard, he manages the Raveonettes, Dan Owen and Fallulah.

 

 




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