Posts Tagged ‘George Musgrave

26
Oct
17

International Journal of Music Business Research – October 2017, vol. 6, no. 2

The first article of the October 2017 issue of the International Journal of Music Business Research (IJMBR), Innovation in the arts – lessons from the creation of Dalhalla” by Per Frankelius of Linköping University/Sweden, is an insightful case study of the Dalhalla opera festival in Sweden that was initiated and organised by the opera singer and retired radio producer Margareta Dellefors. The second article, “Collaborating to compete: the role of cultural intermediaries in hypercompetition” by George Musgrave of University of Westminster in London, employs an innovative methodological approach to examine the role that cultural intermediaries, such as radio DJs and journalists, play in the lives of three unsigned UK urban music artists. The concluding article of this journal issue, “Status quo and perspectives of licensing synchronisation rights” by Stephan Klingner and Julia Friedrich of Leipzig University/Germany, highlights the current state of music licencing and identifies the needs from the users’ perspective. The findings are drawn from interviews with representatives of synchronisation rights licensing platforms and production libraries. The book review by Dennis Collopy of “The Economics of Music” by Peter Tschmuck rounds up the IJMBR’s October 2017 issue.

 

Volume 6, no 2, October 2017

Editorial by Peter Tschmuck, pp. 4-5

Per Frankelius: Innovation in the arts – lessons from the creation of Dalhalla, pp. 6-40

George Musgrave: Collaborating to compete: the role of cultural intermediaries in hypercompetition, pp. 41-68

Stephan Klingner & Julia Friedrich: Status quo and perspectives of licensing synchronisation rights, pp. 69-86

Book review by Dennis Collopy: The Economics of Music by Peter Tschmuck, pp. 87-91

 

 

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29
Sep
17

The 8th Vienna Music Business Research Days in Retrospective

The 8th Vienna Music Business Research Days on “Unchaining the Digital Music Business?” were held at the University of Music and Performing Arts Vienna from September 12-14, 2017. Over the past few years new gatekeeping processes in the digital music business have emerged and international music business experts, therefore, highlighted the role of new and old gatekeepers as well as the impact of innovative technologies such as the blockchain on structures and processes in the music business.

Students from Austria, Bardados, Canada, Germany, Serbia and South Africa on a master and PhD level opened the conference with the Young Scholars Workshop presenting and discussing their research findings with reknown academics in the field of music business research (workshop program). The article “Virtual Songwriting: Fostering Creative Processes through ‘Challenge’ and ‘Collaboration'” by Benjamin Schiemer from the Johannes Kepler University Linz in Austria was awarded by an international jury as best paper and is considered to be published in the International Journal of Music Business Research (IJMBR).

Music business researchers from Austria, Australia, Finland, Germany, Italy, Norway, Spain, United Kingdom and the US gathered on the conference track day (September 13) to present their recent findings on the music business and discuss them with the audience. The topics ranged from the economics of music festivals, music piracy, regulatory aspects in the music business and on choreographies to artist-fan engagement, music management, social media in the music business to the impact of blockchain technology on the music industry (see program).

The invited conference day on September 14 highlighted the role of new gatekeepig processes in the digital music bsuines by new and old players of the music industry. Daniel Nordgård from the University of Agder in Kristiansand/Norway held the introductory talk on “New Gatekeeping Processes in the Digital Music Business” and moderated then a panel discussion with Sally Gross (University of Westminster, London), Sarita Stewart (Mike Curb College of Entertainment & Music Business, Belmont University Nashville/USA), Scott Cohen (The Orchard, London and New York) and Stefan Baumschlager (Record Bird, Vienna). In the following presentation George Musgrave from the University of Westminster in London talked on “Control and Autonomy in the Digital Music Business”.

In the afternoon Alan Graham and Wolfgang Senges critically reflected in two keynotes – “The Applications of Blockchain Technology in the Music Business” and “The Benefits and Challenges of Blockchain Technology in the Music Business” the current hype about blockchain technology  and discussed with Carlotta de Ninni (Mycelia for Music project) and Kelly Snook (University of Brighton) its impact on the music business.

Continue reading ‘The 8th Vienna Music Business Research Days in Retrospective’

01
Sep
17

Introducing our guests: George Musgrave (University of Westminster/UK)

The 8th Vienna Music Business Research Days from Sep. 12-14, 2017 are devoted to the question “Unchaining the Digital Music Business?”. Over the past few years new gatekeeping processes in the digital music business have emerged and international music business experts, therefore, highlight the role of new and old gatekeepers as well as the impact of innovative technologies such as the blockchain on structures and processes in the musis biz. Find the program here.

George Musgrave will be talking on “Control and Autonomy in the Digital Music Business” in Joseph-Haydn Hall from 11:45-12:45 on September 14, 2017. George Musgrave is a Senior Lecturer at the Faculty of Media, Arts and Design of the University of Westminster. He also lectures at Goldsmiths, University of London. George earned his PhD with “Creativity, Capital and Entrepreneurship: The Contemporary Experience of Competition in UK Urban Music” (external examiner was Prof. Keith Negus) from the the ESRC Centre for Competition Policy at the University of East Anglia.  He is an expert on researching the role of  intermediaries in the music industry, but he also highlights mental health and working conditions for musicians (see paper) in a current research project.

George Musgrave is also a practising musician signed to Atlantic Records and a songwriter for EMI/Sony-ATV publishing. He performed live at Reading Festival, Leeds Festival and Wireless (Olympic Park) and he is the winner of MTV Brand New 2012 as the first ever unsigned act.

 

31
May
17

8th Vienna Music Business Research Days on “Unchaining the Digital Music Business?”

The 8th Vienna Music Business Research Days will be held again at the University of Music and Performing Arts Vienna from September 12-14, 2017. This year’s conference topic is “Unchaining the Digital Music?”. Digitization has brought music streaming to the centre of the music industry’s value-added network and new gatekeeping processes have been established by new and “old” players of music business.

The morning session of the the invited conference day on September 14, therefore, will focus on new gatekeeping process in the digital business with a introductory talk by Daniel Nordgård of University of Agder/Norway and a panel discussion with Sally Gross (Westminster University, London), Sarita Stewart (Mike Curb College of Entertainment & Music Business, Belmont University Nashville/USA), Scott Cohen (The Orchard, London and New York), Jake Beaumont-Nesbitt (International Music Managers Forum, London) moderated by Daniel Nordgård.

George Musgrave of the University of Westminster in London will wrap up the panel discussion with his talk on  “Control and Autonomy in the Digital Music Business” providing a model for new gatekeeping processes in the digital music industry.

 

In the afternoon session the keynotes by Paul Crick (Senior Managing Consultant, Digital Transformation, Media & Entertainment, IBM, Flintham/UK) and Wolfgang Senges (Strategic Consultant in Digital Media, ContentSphere, Berlin) will explain the fundamentals of blockchain technology and how it could disrupt the music industry again. Please read my blogpost “The Music Business in the Blockchain” to learn more about the impact of blockchain technology In the following panel discussion both keynote speakers will discuss the question “Unchaining the Digital Music Business?” by new technologies such as the blockchain with Carlotta de Ninni (Mycelia for Music Foundation, London), Kelly Snook (Professor of Media Arts Technology, University of Brighton/UK), Peter Harris (resonate, Berlin).

On September 12, the VMBR-Days 2017 will traditionally be opened by the  Young Scholars’ Workshop. Master and PhD students from Austria, Barbados, Canada, Germany, Serbia and South Africa will present their research result in a closed workshop to an international group of highly regarded music business researchers.

The next conference day on Sep. 13 will be devoted to a broad range of music business research papers submitted by academics from all around the globe.

Find the conference’s program – including registration details – here: https://musicbusinessresearch.wordpress.com/vienna-music-business-research-days-2/

 




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