On March 3, 2017, an international workshop on “The Blockchained Music Business” was organized by the Department of Cultural Management and Gender Studies (IKM) of the University of Music and Performing Arts Vienna and the Music Information Center Austria (MICA). Carlotta De Ninni (Mycelia for Music Foundation, London), Peter Jenner (Sincere Management, London) and Benji Rogers (PledgeMusic & Dot Blockchain Music, New York) were the workshop supervisors focusing on different aspects of the blockchain technology’s impact on the music business. The third part of the workshop’s summarizes the results of the workshop group discussing the question, if the blockchain is a useful tool for setting up a global music rights database. The workshop group was supervised by Peter Jenner (Sincere Management, London) and you find the summary here:
Posts Tagged ‘International Music Registry
Tags: Benji Rogers, bitcoin, Bittunes, blockchain, Blockchain Revolution, Carlotta de Ninni, distributed ledger, Dot Blockchain Music, Ethereum, Global Repertoire Database, Imogen Heap, International Music Registry, P2P, PeerTracks, Peter Jenner, Tiny Human, Ujomusic
When the Economist article “The Trust Machine. The Promise of the Blockchain” was published in October 2015, a broader audience beyond the bitcoin community has become interested in the disruptive potential of the cryptocurrency’s technology. Meanwhile, further articles on the blockchain have appeared in the main press and Don & Alex Tapscott published “Blockchain Revolution” (2016), which highlights in detail the (revolutionary) impact of blockchain technology on the music business in chapter 9. We also discussed the relevance of the blockchain for the music business with the Blogchain-Hub founder Shermin Voshmgir in a music business research jour-fixe in Vienna on June 20, 2016.
On March 3, 2017, Carlotta de Ninni (Mycelia for Music Foundation, London), Peter Jenner (Sincere Management, London) and Benji Rogers (PledgeMusic and Dot Blockchain Music, New York) will supervise the international workshop “The Blockchained Music Business” at the Department of Cultural Management and Gender Studies (IKM) of the University of Music and Performing Arts Vienna. After the workshop(16:30-18:00) our guests will discuss the opportunities and challenges of blockchain technology for the music business in a public panel discussion in the Large Conference room of IKM (Anton-von-Webern Platz 1, 1030 Vienna).
In the following, I’m going to explain the fundamentals of blockchain technology and I outline its opportunities and challenges of the blockchain for the music business.
Tags: 4th Vienna Music Business Research Days 2013, Adolf Dietz, anti-trust law, ARESA, C3S, collecting society, copyright law, creative commons licensing, cultural diversity, Dennis Collopy, EU Copyright reform, Future of Music Licensing, intellectual property rights, International Music Registry, Jim Griffin, Liane Wildpanner, Meik Michalke, music registry, P. Bernt Hugenholtz, right holders, Till Evert
In the 4th Vienna Music Business Research Days the “Future of Music Licensing” was highlighted. The conference, therefore, focused on collective rights management and collecting societies respectively as well as the registration of music rights. However, in a broader perspective also the future of copyright in a digital society was discussed.
In the opening panel of the conference on Thursday the concept of creative commons licensing and the set-up of a collection society for CC-licensing by the C3S initiative in Germany was controversially discussed.
The first conference day, however, was devoted the 3rd Young Scholars’ Workshop. Fourteen young academics from 8 different countries – Australia, Austria, China, Czech Republic, France, Germany, Palestine and Portugal – presented their papers on a wide range of music business research topics.
For a detailed coverage of the whole conference– including all papers and presentation slides as well as audio files of all talks and discussion – please click here.
On November 23, 2011 the British music manager and record producer Peter Jenner gave a talk on the digital revolution in the music industry and the need for an International Music Registry (IMR) at the Institute of Culture Management and Culture Studies (IKM) of the University of Music and Performing Arts Vienna. Peter Jenner has managed Pink Floyd, T Rex, Ian Dury, Roy Harper, The Clash, The Disposable Heroes of Hiphoprisy, Robyn Hitchcock, Baaba Maal and Eddi Reader (Fairground Attraction), Billy Bragg and others. He works at Sincere Management and was the Secretary General of the International Music Managers’ Forum, a director of the UK Music Managers’ Forum and is involved on the advisory board of the Featured Artists Coalition. Currently he is a consultant for the World Intellectual Property Rights Organization (WIPO) to help in the development of an International Music Registry. More on this project and the rationale behind it can be read in the following abridged version of Peter Jenner’s talk, which was not only authorised but also edited by himself.