The Economics of Streaming – book presentation event in London on June 15, 2017

My new book – The Economics of Music – that has been recently published by Agenda Publishing will be presented to the public in a MusicTank event at the University of Westminster from 7:00pm-9:30pm on June 15, 2017. After a short introduction to the book , I will discuss the question “The Economics of Streaming: Full Stream Ahead?” with Sally Gross (University of Westminster), Peter Jenner (Sincere Managment) and Mark Mulligan (Midea Research Consulting) chaired by Keith Harris (Keith Harris Music Ltd.).

Location: Fyvie Hall, University of Westminster, 309 Regent Street, London, W1B 2UW

Date: June 15, 7:00pm to 9:30pm

Click here for more information: MusicTank webpage

 

Peter Tschmuck, 2017, The Economics of Music. Newcastle-upon-Tyne: Agenda Publishing.

Hardback £55.00 | $70.00 ISBN 9781911116073

Paperback £16.00 | $23.00 ISBN 9781911116080

e-book £16.00 | $23.00 ISBN 9781911116097

Buy a book copy here: Agenda Publishing

 

 

 

 

 

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The 7th Vienna Music Business Research Days in retrospective

The 7^th Vienna Music Business Research Days on “Self-Management in the Digital Music Business” are already history. International music business researchers and business professionals gathered at the University of Music and Performing Arts to discuss the challenges and chances of the digital music economy.

In the Young Scholars’ Workshop graduate and PhD students from Canada, Germany, Norway, Poland, Spain and Russia presented their theses in a closed workshop in group of highly regarded music business/industry researchers. Lorenz Grünewald of the University of Applied Sciences for Media, Communication and Management Berlin was awarded for his paper “The (In)significance of the Brand: Brands & Music Culture”. The paper will be published in the International Journal of Music Business Research (IJMBR).

The conference track day on September 28 brought together music business academics from Australia, Austria, Colombia, Denmark, Finland, Germany, Italy, Norway, Slovenia and Spain, who presented recent research results on the music business/industry.

The third conference day was again held in cooperation with the Waves Music Festival & Conference and was devoted to the topic of “Self-Management in Digital Music Business”.

 

7th Vienna Music Business Research Days on “Self-Management in the Digital Music Business”

The 7th Vienna Music Business Research Days on “Self-Management in the Digital Music Business” are held from Sep. 27-29, 2016 at the University of Music and Performing Arts Vienna. As in the prior years, music business research from all around the world and music industry prfessionals will discuss current developments in the music business/industry in numerous presentations and panel discussions.

The Young Scholars’ Workshop (closed event) gathers for the sixth time students from all around the globe to present their research projects and to discuss them with renown music business researchers.

After the workshop,  Angela Myles Beechings presents her book in the keynote “Beyond Talent: the Psychology of Music Entrepreneurship and Self Management” in IKM’s Large Conference Room on Sep. 27th  from 19:30-21:00 (building E on university’s campus).

On Sep. 28th, music business researchers from eight different countries present their recent findings on the music business/industry. The topics range from the economics and psychology of music streaming and music education to team diversity in sound recording projects: Click here for the program.

The entire last conference day on Sep. 29th, is devoted to the conference’s main topic.  Martin Lücke (Macromedia University, Berlin) talks on best-practice models of career centers at music universities, before moderating a panel discussion with Gretchen Amussen (L’Association Européenne des Conservatoires, Paris), Angela Myles-Beeching (Manhattan School of Music, New York) and Stefan Simon (Music University Detmold) on the same topic.

After the panel discussion, music consultant Johannes Ripken highlights his concept of “Organic Artist Development”.

After the lunch break (14:00),  Stephen Power highlights in a keynote speech his very personal approach of “Self-Management in the Digital Music Business”. Stephen Power is a very successful music producer working with Robbie Williams, Blur, Diana Ross etc. In the following panel discussion, the successful Austrian music producer and vice-president of the Austrian Composers’ Society, Harald Hanisch, moderates a panel with Roxanne de Bastion (musician, London), Keith Harris (manager of Stevie Wonder, London), Stephen Power (music producer, London) and Johannes Ripken (musik consultant, Kiel) the challenges of “Self-Management in the Digital Music Business”.

The last conference day will be closed with awarding the best paper of the Young Scholars’ Workshop.

Conference program: https://musicbusinessresearch.wordpress.com/vienna-music-business-research-days-2/

How to get there and campus map: https://musicbusinessresearch.wordpress.com/vienna-music-business-research-days-2/conference-site-how-to-get-there/

Video-Livestream on Sep. 29th: http://www.mdw.ac.at/mdwMediathek/livestream/

Facebook: http://www.facebook.com/ViennaMusicBusinessResearchDays

Twitter: https://twitter.com/VMBRD

Introducing our guests: Keith Harris (manager of Stevie Wonder, London)

The 7th Vienna Music Business Research Days from Sep. 27-29, 2016 are devoted to “Self-Management in the Digital Music Business”. International music business experts, therefore, discuss the challenges and chances of artist self-management as well as the future development. Find the program here.

In the afternoon of Sep. 29th, a top-class panel discusses “Self-Management in the Digital Music Business” in Joseph-Haydn-Hall from 15:30-17:00. Keith Harris, manager of Stevie Wonder, is one of the panelists. Keith started in the music industry in 1974 working for Transatlantic, a small independent UK label. In 1976 Keith joined EMI Records where he initially worked for several in-house EMI labels in the promotions department. These included Rocket where he worked on the Elton John album ‘Blue Moves’, Fantasy, Ariola and EMI International. He then joined Motown becoming General Manager working with artists such as Marvin Gaye, Diana Ross, Smokey Robinson and Stevie Wonder. He left in 1978 to work with Stevie Wonder and became Operations Manager for his companies.

In 1982 he formed his own management company and was involved in the management of various UK based artists, while also continuing to represent Stevie Wonder. He is a Senior Fellow of the University of Westminster School of Music, Film and Fashion where he has lectured since 1993. He is a former Chairman of the MMF, the managers’ trade body, and he is the Chairman of Musictank. Keith joined PPL in 2006 and was made an Honorary Doctorate by the University of Westminster in November 2007.

 

 

5th Vienna Music Business Research Days in Retrospective

The 5th Vienna Music Business Research Days were devoted to the question “How to Monetize Music in the Digital Age”? Academics and business professionals  answered this questions from different perspectives. The VMBR-Days 2014 were held in cooperation with the Waves Vienna Music Festival & Conference and attracted an even larger international audience than in the years before. On Oct 3rd, a conference track day complemented the invited conference day on Oct 2nd for the first time. Academics from Austria, Australia, Brasil, Croatia, Germany, Hungary, the Netherlands, Norway, Spain, Sweden and United Kingdom presented recent findings of a wide range of music business research topics.

The Young Scholars’ Workshop gathered for the fourth time students and mentors/discussants from more than 10 countries to discuss the findings a papers derived from master and PhD theses (see also the webpage of the Young Scholars’ Workshop 2014).

For a detailed coverage of the whole conference– including most of the papers and presentation slides as well as the audio streams of all talks and discussions of Oct 2nd – please click here.

Introducing our guests: Keith Harris, manager of Stevie Wonder

The 5th Vienna Music Business Research Days will be held at the University of Music and Performing Arts Vienna from Oct 1-3, 2014.  A mixed group of music business professionals and music business researcher will highlight the question on “How to Monetize Music in the Digital Age” from different perspectives. All conference guest that will present/discuss on Oct 2, 2014 in Joseph Haydn-Hall will be introduced in a short blog series.

We start with Keith Harris, who is Director of Performer Affairs of British collecting society PPL and manager of Stevie Wonder. He is one of the discussants of the panel “How to Monetize Music in the Digital Age” on Oct 2 from 16:00-17:30 in Joseph Haydn-Hall.

 

Keith Harris started in the music industry in 1974 working for Transatlantic, a small independent UK label. In 1976 Keith joined EMI Records where he initially worked for several in-house EMI labels in the promotions department. These included Rocket where he worked on the Elton John album ‘Blue Moves’, Fantasy, Ariola and EMI International. He then joined Motown becoming General Manager working with artists such as Marvin Gaye, Diana Ross, Smokey Robinson and Stevie Wonder. He left in 1978 to work with Stevie Wonder and became Operations Manager for his companies.

In 1982 he formed his own management company and was involved in the management of various UK based artists, while also continuing to represent Stevie Wonder. He is a Senior Fellow of the University of Westminster School of Music, Film and Fashion where he has lectured since 1993. He is a former Chairman of the MMF, the managers’ trade body, and he is the Chairman of Musictank. Keith joined PPL in 2006 and was made an Honorary Doctorate by the University of Westminster in November 2007.

Click for the detailed conference programme here: https://musicbusinessresearch.wordpress.com/vienna-music-business-research-days-2/