Posts Tagged ‘Kelly Snook

29
Sep
17

The 8th Vienna Music Business Research Days in Retrospective

The 8th Vienna Music Business Research Days on “Unchaining the Digital Music Business?” were held at the University of Music and Performing Arts Vienna from September 12-14, 2017. Over the past few years new gatekeeping processes in the digital music business have emerged and international music business experts, therefore, highlighted the role of new and old gatekeepers as well as the impact of innovative technologies such as the blockchain on structures and processes in the music business.

Students from Austria, Bardados, Canada, Germany, Serbia and South Africa on a master and PhD level opened the conference with the Young Scholars Workshop presenting and discussing their research findings with reknown academics in the field of music business research (workshop program). The article “Virtual Songwriting: Fostering Creative Processes through ‘Challenge’ and ‘Collaboration'” by Benjamin Schiemer from the Johannes Kepler University Linz in Austria was awarded by an international jury as best paper and is considered to be published in the International Journal of Music Business Research (IJMBR).

Music business researchers from Austria, Australia, Finland, Germany, Italy, Norway, Spain, United Kingdom and the US gathered on the conference track day (September 13) to present their recent findings on the music business and discuss them with the audience. The topics ranged from the economics of music festivals, music piracy, regulatory aspects in the music business and on choreographies to artist-fan engagement, music management, social media in the music business to the impact of blockchain technology on the music industry (see program).

The invited conference day on September 14 highlighted the role of new gatekeepig processes in the digital music bsuines by new and old players of the music industry. Daniel Nordgård from the University of Agder in Kristiansand/Norway held the introductory talk on “New Gatekeeping Processes in the Digital Music Business” and moderated then a panel discussion with Sally Gross (University of Westminster, London), Sarita Stewart (Mike Curb College of Entertainment & Music Business, Belmont University Nashville/USA), Scott Cohen (The Orchard, London and New York) and Stefan Baumschlager (Record Bird, Vienna). In the following presentation George Musgrave from the University of Westminster in London talked on “Control and Autonomy in the Digital Music Business”.

In the afternoon Alan Graham and Wolfgang Senges critically reflected in two keynotes – “The Applications of Blockchain Technology in the Music Business” and “The Benefits and Challenges of Blockchain Technology in the Music Business” the current hype about blockchain technology  and discussed with Carlotta de Ninni (Mycelia for Music project) and Kelly Snook (University of Brighton) its impact on the music business.

Continue reading ‘The 8th Vienna Music Business Research Days in Retrospective’

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30
Aug
17

Introducing our guests: Kelly Snook (University of Brighton/UK)

The 8th Vienna Music Business Research Days from Sep. 12-14, 2017 are devoted to the question “Unchaining the Digital Music Business?”. Over the past few years new gatekeeping processes in the digital music business have emerged and international music business experts, therefore, highlight the role of new and old gatekeepers as well as the impact of innovative technologies such as the blockchain on structures and processes in the musis biz. Find the program here.

Kelly Snook, Professor of Media Arts Technology at the University of Brighton, is one of the dicussants in the panel on “Unchaining the Digital Music Business?” in Joseph-Haydn Hall in the afternoon of Sep. 14. She will highlight the impact of blockchain technology but also other innovative technologies on the music business. Other panelists are Carlotta de Ninni (Mycelia for Music Foundation, London/UK), Alan Graham (OCL – OneClickLicence, London) and moderator Wolfgang Senges (ContentSphere, Berlin).

Kelly Snook is a music producer, engineer, and data sonification researcher based in London and Portland, Oregon. She is one of the original developers of the mi.mu gloves for gestural control of music and visuals. She currently serves as Professor of Media Arts Technology at the University of Brighton and holds a Ph.D. in Aeronautics and Astronautics from Stanford University. She spent two decades as a NASA Research Scientist with a focus on Mars and the moon, before turning her attention to music full-time in 2010 when she joined Imogen Heap as her studio manager and musical assistant. Her current research project is the development of Concordia, an immersive musical instrument for scientific exploration based on the work of Johannes Kepler, which allows people to experience and play the music of the spheres. She also runs her own recording studio, called “It’s Not Rocket Science Studios,” in Portland, producing and mixing music by independent musicians.

 

 

31
May
17

8th Vienna Music Business Research Days on “Unchaining the Digital Music Business?”

The 8th Vienna Music Business Research Days will be held again at the University of Music and Performing Arts Vienna from September 12-14, 2017. This year’s conference topic is “Unchaining the Digital Music?”. Digitization has brought music streaming to the centre of the music industry’s value-added network and new gatekeeping processes have been established by new and “old” players of music business.

The morning session of the the invited conference day on September 14, therefore, will focus on new gatekeeping process in the digital business with a introductory talk by Daniel Nordgård of University of Agder/Norway and a panel discussion with Sally Gross (Westminster University, London), Sarita Stewart (Mike Curb College of Entertainment & Music Business, Belmont University Nashville/USA), Scott Cohen (The Orchard, London and New York), Jake Beaumont-Nesbitt (International Music Managers Forum, London) moderated by Daniel Nordgård.

George Musgrave of the University of Westminster in London will wrap up the panel discussion with his talk on  “Control and Autonomy in the Digital Music Business” providing a model for new gatekeeping processes in the digital music industry.

 

In the afternoon session the keynotes by Paul Crick (Senior Managing Consultant, Digital Transformation, Media & Entertainment, IBM, Flintham/UK) and Wolfgang Senges (Strategic Consultant in Digital Media, ContentSphere, Berlin) will explain the fundamentals of blockchain technology and how it could disrupt the music industry again. Please read my blogpost “The Music Business in the Blockchain” to learn more about the impact of blockchain technology In the following panel discussion both keynote speakers will discuss the question “Unchaining the Digital Music Business?” by new technologies such as the blockchain with Carlotta de Ninni (Mycelia for Music Foundation, London), Kelly Snook (Professor of Media Arts Technology, University of Brighton/UK), Peter Harris (resonate, Berlin).

On September 12, the VMBR-Days 2017 will traditionally be opened by the  Young Scholars’ Workshop. Master and PhD students from Austria, Barbados, Canada, Germany, Serbia and South Africa will present their research result in a closed workshop to an international group of highly regarded music business researchers.

The next conference day on Sep. 13 will be devoted to a broad range of music business research papers submitted by academics from all around the globe.

Find the conference’s program – including registration details – here: https://musicbusinessresearch.wordpress.com/vienna-music-business-research-days-2/

 




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