In their working paper Curien and Moreau (2005) proposed a model of the music industry under “piracy” in which they took into account quality, variety, as well as price adjustments and showed that P2P file sharing networks could have a positive impact on the music industry as whole (recorded and live music as well as complimentaries such as ringtones). However, record companies bear almost all of the negative effect, whereas artists rather benefit from it, since royalties are often the smallest amount of their income, whereas “piracy” tends to boost live performances. Continue reading ‘How Bad Is Music File Sharing? – Part 7’
M | T | W | T | F | S | S |
---|---|---|---|---|---|---|
1 | 2 | 3 | 4 | |||
5 | 6 | 7 | 8 | 9 | 10 | 11 |
12 | 13 | 14 | 15 | 16 | 17 | 18 |
19 | 20 | 21 | 22 | 23 | 24 | 25 |
26 | 27 | 28 | 29 | 30 |
Archive
Search
Recent articles
- Music as an Investment – Part 3: Primary Wave
- Call for papers: 14th International Music Business Research Days 2023
- Call for Papers: 13th Young Scholars’ Workshop of the International Music Business Research Days 2023
- Music as an Investment – Part 2: BMG re-enters the music rights business
- Music as an Investment – Part 1: An Overview
Categories
Unknown Feed
- An error has occurred; the feed is probably down. Try again later.
Sites
- About Me
- Article database
- Book Bibliography
- Economics of Music
- Handbooks and dictionaries
- History of the music business/industry
- Label and company history
- Law and music business/industry
- Media and music business/industry
- Music management
- Music marketing
- Structural analysis of the music business/industry (general)
- Structural analysis of the music business/industry (genre-specific)
- Imprint
- International Journal of Music Business Research (IJMBR)
- International Music Business Research Association (IMBRA)
- International Music Business Research Days
- theses & papers
- Young Scholars Workshop 2022
Blogroll
Blog Stats
- 584,022 hits
Recent commentaries