Posts Tagged ‘Luke O’Shaughnessy

09
Oct
15

6th Vienna Music Business Research Days in Retrospective

VMBRD-logo“Financing Music in the Digital Age” was this year’s main topic of the 6th Vienna Music Business Research Days 2015 held at the University of Music and Performing Arts Vienna. International music experts and music business researchers approached this topic from different perspectives on the third conference day on Oct. 1.

However, the conference started with the Young Scholars’ Workshop on September 29. Graduate and PhD students from Brazil, Ecuador, Germany, Hungary, Norway and Poland presented their theses in a closed workshop in group of highly regarded music business/industry researchers. The best paper of the Young Scholars’ Workshop was awarded to Abner Pérez of the Universidad de las Americas Quito, Ecuador for his paper “Compulsory Licensing in the Recording Industry”. The paper will be published in the International Journal of Music Business Research (IJMBR).

The second conference day on September 30, was devoted to academic music business research. Scholars from the Australia, Austria, China, Brazil, Germany, the Netherlands and Spain highlighted in their papers the results of their music business/industry research.

The third conference day was then held in cooperation with the Waves Music Festival & Conference, Vienna & Bratislava.

For a detailed coverage of the entire conference– including most of the papers and presentation slides as well as the audio and video streams of almost all talks and discussions of Oct 1 – please click here.

Continue reading ‘6th Vienna Music Business Research Days in Retrospective’

Advertisements
28
Sep
15

6th Vienna Music Business Research Days, Sep. 29 – Oct.1, 2015

VMBRD-logoThe 6th Vienna Music Business Research traditionally start with the Young Scholars’ Workshop in the Large Conference Room of the Institute for Cultural Management and Cultural Studies (IKM) at 9:00am on September 29, 2015. Graduate and PhD students from Brazil, Ecuador, Germany, Hungary, Norway and Poland will present their theses in a closed workshop to highly regarded music business/industry research who will comment on and discuss the papers.

The second conference day on September 30, will be devoted to academic music business research in Joseph Haydn-Hall in the main building of the University of Music and Performing Arts Vienna from 9:00am to 18:00pm. Scholars from the Australia, Austria, China, Brazil, Germany, Iran, the Netherlands and Spain will highlight current results of their reseach on the music business/industry.

“Financing Music in the Digital Age” is the main topic of the third conference day in Joseph Haydn-Hall of the University of Music and Performing Arts Vienna  from 9:00am to 17:00pm on October 1. The conference day will be opened at by Dagmar Abfalter (University of Music and Performing Arts Vienna) with a paper – co-authored by Serge Poisson-de Haro (HEC Montreal) – answering the question is “Opera Streaming a New Revenue Source?” . In the following panel discussion – conducted by Dagmar AbfalterLuke O’Shaughnessy (The Oper Platform, Brussels), Christof Papousek (Cineplexx International GmbH, Vienna), Christopher Widauer (Vienna State Opera) and Robert Zimmermann (Berlin Phil Media GmbH of the Berlin Philharmonic Orchestra) will discuss on “The Economic Relevance of Classical Music Streaming” from 10:15-11:15.

Before lunch – from 11:45-12:30 – Kieran Garvey, Policy Programmes Manager and Research Associate at the Cambridge Centre for Alternative Finance, will highlight the role of “Alternative Financing of Music” with a special focus on music crowfunding.

After lunch – from 14:00-14:45 – start-up entreneur Andreas Mahringer and business “angelina” Selma Prodanovich will unveil the processes and structures behind start-up funding in a case study on the Viennese-based music start-up Record Bird.

Andreas and Selma will then participate in the following panel disuccion – conducted by journalist Jakob Steinschaden – on “Music Start-up Funding in the Digitized Music Economy”. The other panelists are Michael Breidenbrücker (co-founder of LastFM; speedinvest, Vienna and London) and Peter Jenner (Sincere Management, London).

The conference will be closed with awarding the best paper of the Young Scholars’ Workshop in Joseph Haydn-Hall of the University of Music and Performing Arts Vienna at 17:00 on October 1, 2015.

 

Find more details on the conference program here: https://musicbusinessresearch.wordpress.com/vienna-music-business-research-days-2/

 

The conference day on October 1 will be audio live-streamed here: http://www.mdw.ac.at/mdwMediathek/livestream/ and please follow us on Twitter and Facebook.

 

Tickets for passive participation of EUR 40.- are available on Ticketgarden: https://www.ticketgarden.com/en-at/tickets/vienna-music-business-research-days-2015/

The tickets are also valid to visit the Waves Music Conference that also take place at University of Music and Performing Arts Vienna on October 1, 2015.

 

Conference site & how to get there

Ticketing and conference accomodation

 

23
Sep
15

Introducing our guests: Luke O’Shaughnessy (The Opera Platform, Brussels)

Foto Luke O’ShaughnessyThe 6th Vienna Music Business Research Days 2015 focus on “Financing Music in the Digital Age”. International experts and academics discuss new and alternative revenue sources for the music scene such as music streaming for the classic music business, crowdfunding and business angel funding.

Luke O’Shaughnessy, Secretary General of the Opéra de Dijon and Project Manager of The Opera Platform in Brussels will be one of the panelists in the discussion on “The Economic Relevance of Classical Music Streaming” in Joseph Haydn-Hall of the University of Music and Performing Arts Vienna from 10:15-11:15 on October 1, 2015.

Born and raised in London, Luke O’Shaughnessy started his career working as an administrator of several contemporary music festivals including Huddersfield Contemporary Music Festival in the North of England, the Almeida Opera Festival in London and Ars Musica in Brussels.  Between 2002 and 2008, Luke worked as Director of RESEO (European Network for Opera and Dance Education); during this period the network grew considerably and secured a number of grants from the European Commission (EC).  Based in France since 2009, Luke worked for four years as Secretary General of the Opéra de Dijon.  In parallel to work as a freelance consultant on international cooperation projects, Luke’s main activity is now as Project Manager of The Opera Platform, Opera Europa’s innovative project, funded by the EC’s Creative Europe programme, to bring live streams from 15 partners opera houses in 12 countries to audiences on the web.

 

 




November 2018
M T W T F S S
« Oct    
 1234
567891011
12131415161718
19202122232425
2627282930  

Archive

Twitter

Categories

RSS Music Business Worldwide

Blog Stats

  • 449,944 hits
Advertisements