The new issue of the International Journal of Music Business Research is now online. You can read an article by Michael Huber on “Music Reception in the Digital Age – Empirical Research on New Patterns of Music Behaviour” based on a representative survey of music consumption in Austria. In the article “Analysing the Popular Music Audience. Determinants of Participation and Frequency of Attendance” Juan Montoro-Pons et al. show that concert attendance in Spain is driven by by cultural capital accumulated through media participation. Finally, John Fangjun Li highlights the tremendously growing digital music industry in China in a contribution entitled “The Development of the Digital Music Industry in China during the First Decade of the 21st Century with Particular Regard to Industrial Convergence”.
Posts Tagged ‘Michael Huber
Tags: Chinese music industry, cultural capital, digital music industry, IJMBR, industrial convergence, International Journal of Music Business Research, John Fangjun Li, Juan Montoro-Pons, Manuel Cuadrado Garcia, Michael Huber, music consumption, music reception, popular music audience, Trinidad Casasus-Estrelles
Tags: Carsten Winter, David Bahanovich, Dennis Collopy, file sharing, HADOPI, Harald Hanisch, Joel Tenenbaum, Joel Waldfogel, Martin Kretschmer, Michael Huber, music consumption, new music consumption behavior, Peter Jenner, Peter Tschmuck, piracy, prosumer, Robert Levine, Rose-Marie Hunault, Sabine Nikolay, Stefan Krempl, vienna music business research days 2012, young scholars' workshop
The 3rd Vienna Music Business Research Days were devoted to the “New Music Consumption Behaviour”. Therefore, recent music consumer surveys for the U.K. and for Austria were presented and the hypothesis of music prosumption was highlighted. In another contribution the impact of music file sharing on the quality of new music products was measured. Further the French authority for protection of copyrights on the Internet – HADOPI – was presented and the effects of its operations on P2P file sharing were highlighted. In the following panel discussion “Three Strikes and Out” music industry and copyright expertes controversially debated the concept of graduaded response scheme (aka “three strikes” models) such as HADOPI in France. In this context the question “Are File Sharers Pirates?” was already controversially discussed by a sentenced file sharer and the author of the the book “Free Ride. How Digital Parasites Are Destroying the Culture Business”.
The 3rd Vienna Music Business Research Days were opened by the Young Scholars’ Workshop on June 29. Nineteen young academics from seven countries presented their research papers, which represented the full range of music business research. The best Young Scholars’ paper was then awarded by and international jury at the end of the conference on June 30.
In the following the 3rd Vienna Music Business Research on “New Music Consumption Behaviour” is summarised and all presentations and discussions can be audio streamed. Most of the papers and power point presentation are also available as downloads.
Tags: Carsten Winter, David Bahanovich, Dennis Collopy, file sharing, graduaded response, HADOPI, Harald Hanisch, Joel Tenenbaum, Joel Waldfogel, Martin Kretschmer, Michael Huber, music consumption, music use, Peter Jenner, prosumer, Robert Levine, Rose-Marie Hunault, three strikes, Vienna Music Business Research Days, VMBR-Days, young scholars' workshop
On June 29, 2012 the 3rd Vienna Music Business Research Days at the University of Music and Performing Arts Vienna will be opened with the Young Scholars’ Workshop at 9.00 am. Nineteen young academics from seven different countries will present current research results on different aspects of the music economy. The programme and most of the papers can found on the conference’s wepage.
On Fri, June 29 at 19.30 a discussion on the question “Are File Sharers Pirates?” will take place in Joseph Haydn-Hall. The student Joel Tenenbaum, who was sentenced to pay a compensation of US$ 675,000 for sharing 30 music files by an U.S.-court, will discuss this question with Robert Levine, author of the book “Free Ride. How Digital Parasites Are Destroying The Culture Business, And How The Culture Business Can Fight Back” conducted by Ö1 journalist Sabine Nikolay.
The Saturday morning is devoted to the presentation of recent studies on the music consumption behavior in Austria (by Michael Huber, University of Music and Performing Arts Vienna) and in the U.K. (by David Bahanovich and Dennis Collopy, University of Hertfordshire). In addition Carsten Winter (University of Music, Drama and Media Hanover) will talk about “Prosumers and Their New On-Demand-Music Culture”.
After the lunch break, Joel Waldfogel (University of Minnesota, U.S.) will highlight in his speech the relation of “Copyright Protection, Technological Change and the Quality of New Products”. This will lead us to a presentation by Rose-Marie Hunault of the French authority HADOPI, which screens internet connections in France to prevent the exchange of copyrighted material without prior agreement from the copyright holders. In the following panel discussion “Three Strikes and Out!”, Mrs. Hunault will discuss the efficiency and other aspects of the graduated response measures with music industry and IPR experts – Peter Jenner (music manager and WIPO consultant, U.K.), Martin Kretschmer, (Bournemouth University, U.K.) and Harald Hanisch (music producer and Austrian Composers’ Society) – under the guidance of heise online journalist Stefan Krempl.
The conference will be closed with the award for the best paper of the Young Scholars’ Workshop at 18.00.
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Vienna Music Business Research Days, June 29-30, 2012 on
“New Music Consumption Behavior”
University of Music and Performing Arts Vienna
Admission free, but please register under: email@example.com