Posts Tagged ‘Phil Graham

30
Sep
19

The 10th Vienna Music Business Research Days 2019 in retrospective

At the 10th anniversary Vienna Music Business Research Days music business researchers and music industry representatives from around the globe looked into the crystal ball to highlight and discuss the “Future of the Music Business”.

The Young Scholars Workshop traditionally opened the conference as a forum for master and PhD students to present and discuss their research results with renown international music business scientists. This year two papers were awarded by an international jury with the first prize: “THE NEW MAGIC PEOPLE: An Ethnographic Study of East London’s Cultural Workers at Shoreditch House” by Sam Edrisi of Westminster University and King’s College London and “Creativity, Constraints, and Copyright – Hired Music Guns and the Case of Soundalikes” by Konstantin Hondros of the University Duisburg-Essen. Both papers are considered tob e published in the International Journal of Music Business Research (IJMBR).

On the following Conference Track Day, music business researchers from Australia, Austria, Germany, Italy, the Netherlands, Norway, Romenia, Spain, South Africa, UK and the US presented their research results on a broad range of music business topics, such as gender aspects in the classical music sphere, the live music business in the Netherlands, self-management and entrepreneurship of musicians, the demand for music in the music streaming age, music branding, music labour markets and music education issues (see program).

The final Invited Conference Day on September 13th focused on the conference main topic the “Future of the Music Business”. The London-based entertainment lawyer Cliff Fluet held the introductory keynote “The Music Business & Technology – How Their Past and Present will Dictate Their Future” and joined the following panel discussion on “The Future of Music Copyright” with Ros Lynch (Intellectual Property Office, London) and the blockchain start-up founder Steve Stewart (vezt, Los Angeles), moderated by Sally Gross (University of Westminster, London). The panelists discussed the impact of new technologies such as the blockchain and artificial intellectual on copyright legislation.

Michael Smellie, the former COO of Sony/BMG and Australian start-up investor, closed the morning session by looking back into the music industry’s recent past with his keynote on the music industry’s “Seven Deadly Sins” to learn more about the industry’s future.

 

After the lunch break Paul O’Hagan of the University of Ulster had a conversation with music manager Peter Jenner on the concept of label service contracts, which Peter Jenner introduced by signing Billy Bragg to Cooking Vinyl. Label service contracts have become very popular among superstars such as Taylor Swift, since there is no need to contract away all rights to the labels. Peter Jenner was also a mastermind and initiator of the “Music 2025” project, which was introduced for the first to the public by him and Dennis Collopy (University of Hertfordshire, UK) in 2014 at the Vienna Music Business Research Days. This year Dennis Collopy presented the project’s results to an international audience.

In the following keynote “What Are the Key Drivers of Growth in Music Streaming?” music industry analyst Chris Carey outlined the past, present and future developments in the music streaming economy. This was a good starting point for the final panel discussion on “Future of the Music Business – What’s Next after Music Streaming?” with Rebecca Brook (music industry consultant, London), Chris Carey (Media Insight Consulting, London), Phil Graham (University of the Sunshine Coast, Australia) and Michael Smellie (start-up investor, Australia), moderated by Dennis Collopy (University of Hertfordshire).

The 10th Vienna Music Business Research Days were supplemented by a book presentation event in the evening of September 11th. Daniel Nordgård of the University of Agder in Kristiansand/Norway presented the first volume of the Springer book series “Music Business Research” entitled The Music Business and Digital Impacts. Innovations and Disruptions in the Music Industries. Phil Graham of the University of the Sunshine Coast/Australia followed with the presentation of the book series’ second volume Music, Management, Marketing, and Law. Interviews Across the Music Business Value Chain. Subsequently both authors joined a panel discussion on “Big Data in the Music Business” with the Vienna-based start-up entrepreneur Nermina Mumic and music manager Peter Jenner.

Continue reading ‘The 10th Vienna Music Business Research Days 2019 in retrospective’

06
Sep
19

10th Anniversary Music Business Research Days 2019 on “Future of the Music Business”

The Vienna Music Business Research Days conference celebrates its 10th birthday this year by looking into the past to learn more about the future of the music business. In the past ten years the VMBR-Days were a platform for forward looking and controversial music industry topics. In 2011, Dagfinn Bach highlighted the high CO2 emissions of music streaming compared to music downloads – a topic, which has become highly relevant in the times of climate change. In the same year the founder of the German music streaming service Simfy, Steffen Wicker, and then PRS for Music chief economist, Will Page, who later joined Spotify, discussed if music streaming would be the next big thing in the music industry. In 2013, Mike Michalke introduced the project of a creative commons collecting society, which was established a few years later as the Cultural Commons Collecting Society (C3S) in Germany. Also in 2013 international experts, among them the doyen of intellectual property rights research, Adolf Dietz, discussed how copyright legislation has to be adapted to new technological and social challenges. Some of the proposals, which were discussed in Vienna, later entered the recently enacted EU Copyright Directive. In 2015, alternative instruments to finance music projects such as crowdfunding, angel investment and start-up funding, which are common practice now, were highlighted by keynotes and panel discussions. In 2017, the blockchain technology and its impact on the music business was in the focus of the 8th Vienna Music Business Research Days. And further topics such as the live music and concert business, self-management of artists, new music consumption behavior and music file sharing were discussed in the past years.

In 2019, some of the topics will be resumed in the 10th anniversary conference. After a keynote by London-based copyright lawyer Cliff Fluet of Lewis Silkin LLP, he will discuss on “The Future of Music Copyright” with Karl Ryan (Government Affairs and Public Policy, Google UK), Ros Lynch (Intellectual Property Office, London, UK) and Steve Stewart (vezt, Los Angeles, USA).

The former COO of Sony/BMG and Australian start-up investor Michael Smellie will look back in the recent history of the music industry by highlighting the music industry’s “Seven Deadly Sins”. In the afternoon, Paul O’Hagan (Ulster University, UK) and music manager Peter Jenner (Pink Floyd, The Clash, Billy Bragg) will discuss the future of artist contracts in the recorded music business, before Peter will join Dennis Collopy (University of Hertfordshire, UK) to present the results of the “Music 2025” project, which was introduced by them to the public at the Vienna Music Business Research Days 2014. Then the founder of the British music streaming service 7digital, Pete Downton, will highlight the drivers of growth of music streaming. In the following panel discussion on the “Future of the Music Business – What’s Next after Music Streaming?”, Pete will exchange thoughts with music industry consultant Rebecca Brook (London, UK) communications researcher Phil Graham (University of the Sunshine Coast, Australia) and start-up investor Michael Smellie (Brisbane, Australia).

The Vienna Music Business research Days will be opened on Sep. 11th with the Young Scholars’ Workshop for master and PhD students to present their research to renown music business researchers in a closed workshop atmosphere. On Sep. 12th scientists from all around the world will present their research finding on different music business/industry topics (see program).

 

Tickets for September 12-13, 2019: https://ntry.at/vmbrd2019

Promotion YouTube video: https://youtu.be/GkgAZX5uS_M

Facebook: https://www.facebook.com/ViennaMusicBusinessResearchDays/

Live video-stream of the last conference day on Sep. 13th, 9:00-17:30 CEST: https://live.mdw.ac.at/VMBRD_2019

Continue reading ’10th Anniversary Music Business Research Days 2019 on “Future of the Music Business”’

26
Aug
19

Introducing our guests: Phil Graham (Universiy of the Sunshine Coast, Australia)

In the 10th anniversary Vienna Music Business Research Days on the “Future of the Music Business” at the University of Music and Performing Arts Vienna (Anton-von-Webern-Platz 1, 1030 Vienna/Austria) music business researchers and music business professionals look into the recent past of the music industry to learn more about its future. Find the program here.

Phil Graham will present his recent book “Music, Management, Marketing, and Law. Interviews Across the Music Business Value Chain” in Fanny Hensel-Hall at mdw – University of Music and Performing Arts Vienna on September 11, 2019 from 19:30-21:30 before he will participate in panel discussion on “Big data and the Digital Music Business” with Nermina Mumic (Legitary, Vienna), Peter Jenner (Sincere Music, London) and Daniel Nordgård (University of Agder, Norway).

On Sep. 12, Phil Graham will also present a paper entitled “Implications of the digital economy for independent musical labour Or: Global ‘craft’ economies” in track B of the Conference Track Day (Fanny Hensel-Hall) from 14:00-14:45.

Last but not least Phil is one of the discussants on the “Future of the Music Business – What’s Next after Music Streaming?” in Joseph Haydn-Hall from 16:00-17:30 on Sep. 13th with Rebecca Brook (music industry consultant, London, UK), Pete Downton (7digital, London, UK) and Michael Smellie (Start-up investor, Brisbane, Australia) moderated by Dennis Collopy (University of Hertfordshire, UK).

Phil Graham is Professor and Head of School, Creative Industries, at Australia’s University of the Sunshine Coast. Before becoming an academic, Phil made a living as a musician, composing, producing, and performing for all areas of the Creative Industries. As an academic, he has written over 120 academic papers and books, as well as producing hundreds of creative outputs as part of his research. His most recent book is Music, Management, Marketing, and Law (Springer). Phil continues to produce music for commercial contexts when time and opportunity permits.

 

 

22
Aug
19

Book presentation event on “Big Data in the Digital Music Business”

A book presentation event will take place in Fanny Hensel-Hall at mdw – University of Music and Performing Arts Vienna on September 11, 2019 from 19:30-21:30. The first two volumes of the “Music Business Research” series of Springer Publishing will be presented to public with a following panel discussion on “Big Data in the Digital Music Business”.

Daniel Nordgård of the University of Agder in Kristiansand/Norway will present his book “The Music Business and Digital Impacts. Innovations and Disruptions in the Music Industries“. The book provides rare insights into the difficult and complex dialogues between stakeholders within and outside the music industries in a time of transition. It builds on a series of recorded meetings in which key stakeholders discuss and assess options and considerations for the music industries’ transition to a digital era. These talks were closed to the public and operated under the Chatham House Rule, which means that they involved a very different type of discussion from those held in public settings, panels or conferences. As such, the book offers a much more nuanced understanding of the industries’ difficulties in adjusting to changing conditions, demonstrating the internal power-struggles and differences that make digital change so difficult.

 

Phil Graham of the University of the Sunshine Coast/Australia introduces his volume on “Music, Management, Marketing, and Law. Interviews Across the Music Business Value Chain“. This collection of interviews captures a period of historic change for the global music business along with a wealth of professional knowledge that extends from the late 1960s through to late 2012 when the interviews were conducted. They record the experiences and insights of people who helped to shape a global business that is quickly passing into history and transforming into something entirely new, often because of decisions the interviewees have been directly involved in making. The material includes the aesthetic, artistic, technical, commercial, legal, and strategic aspects of the music industry. What is said is timeless in its historical significance for the music business and in its relevance for researchers engaged in studies on the dynamics of change in the global commercial music landscape.

 

After the two short presentations the authors discuss with the music manager Peter Jenner (Sincere Music, London) and the founder and CEO of the Vienna-based data analytics company Legitary, Nermina Mumic on

“Big Data and the Digital Music Business”

Admission free, but please register here: vmbrd@mdw.ac.at

 

The book presentation event is held within the 10th Vienna Music Business Research Days in cooperation with the Austrian Chamber of Commerce

 

 

 

 

 

 

 

 

 

08
May
13

Book Review: Music Business and the Experience Economy. The Australasian Case

Cover Music Business and the Experience Economy“Music Business and the Experience Economy” is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the authors deal with a wide-range of topics concerning the production, distribution and consumption in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of music file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for sports and branding, and last but not least the developments of tertiary music education, are discussed from different perspectives.

Peter Tschmuck, Philip L. Pearce and Steven Campbell (eds.), 2013, Music Business and the Experience Economy. The Australasian Case. Heidelberg & New York: Springer, ISBN: 978-3-642-27897-6.

For a more detailed book review please click here for further reading.

Continue reading ‘Book Review: Music Business and the Experience Economy. The Australasian Case’




August 2020
M T W T F S S
 12
3456789
10111213141516
17181920212223
24252627282930
31  

Archive

Twitter

Categories

RSS Unknown Feed

  • An error has occurred; the feed is probably down. Try again later.

Blog Stats

  • 506,665 hits