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Volume 11, no 2, October 2022
Editorial by Peter Tschmuck, p. 45
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Posts Tagged ‘Stephan Klingner
The first article of the October 2017 issue of the International Journal of Music Business Research (IJMBR), “Innovation in the arts – lessons from the creation of Dalhalla” by Per Frankelius of Linköping University/Sweden, is an insightful case study of the Dalhalla opera festival in Sweden that was initiated and organised by the opera singer and retired radio producer Margareta Dellefors. The second article, “Collaborating to compete: the role of cultural intermediaries in hypercompetition” by George Musgrave of University of Westminster in London, employs an innovative methodological approach to examine the role that cultural intermediaries, such as radio DJs and journalists, play in the lives of three unsigned UK urban music artists. The concluding article of this journal issue, “Status quo and perspectives of licensing synchronisation rights” by Stephan Klingner and Julia Friedrich of Leipzig University/Germany, highlights the current state of music licencing and identifies the needs from the users’ perspective. The findings are drawn from interviews with representatives of synchronisation rights licensing platforms and production libraries. The book review by Dennis Collopy of “The Economics of Music” by Peter Tschmuck rounds up the IJMBR’s October 2017 issue.
Volume 6, no 2, October 2017
Editorial by Peter Tschmuck, pp. 4-5
Per Frankelius: Innovation in the arts – lessons from the creation of Dalhalla, pp. 6-40
Book review by Dennis Collopy: The Economics of Music by Peter Tschmuck, pp. 87-91
The April issue of the International Journal of Music Business Business Research is now available online. This special issue – edited by Martin Lücke (professor at Macromedia University of Applied Sciences Berlin) and Carsten Winter (professor at the Hanover University of Music, Drama and Media – focuses on the German music economy. In the first article, Helmut Scherer & Carsten Winter (both full professors at the Hanover University of Music, Drama and Media) discuss success factors for music-based crowdfunding in Germany. Ronny Gey (University Jena), Frank Schumacher, Stephan Klingner (both University Leipzig) and Bettina Schasse de Araujo (Institute for Applied Informatics) highlight the conflict between artistic and economic rationales in a shrinking recorded music market that negatively affects creative and innovative processes in the music industry. In the third article David-Emil Wickström (Pop Academy Baden-Württemberg), Martin Lücke and Anita Jóri (both Macromedia University of Applied Sciences Berlin) discuss the higher education of musicians and music industry workers within the field of Popular Music in Germany.
Volume 4, no 1, April 2015 – special issue on the German Music Economy
The 5th Vienna Music Business Research Days were devoted to the question “How to Monetize Music in the Digital Age”? Academics and business professionals answered this questions from different perspectives. The VMBR-Days 2014 were held in cooperation with the Waves Vienna Music Festival & Conference and attracted an even larger international audience than in the years before. On Oct 3rd, a conference track day complemented the invited conference day on Oct 2nd for the first time. Academics from Austria, Australia, Brasil, Croatia, Germany, Hungary, the Netherlands, Norway, Spain, Sweden and United Kingdom presented recent findings of a wide range of music business research topics.
The Young Scholars’ Workshop gathered for the fourth time students and mentors/discussants from more than 10 countries to discuss the findings a papers derived from master and PhD theses (see also the webpage of the Young Scholars’ Workshop 2014).
For a detailed coverage of the whole conference– including most of the papers and presentation slides as well as the audio streams of all talks and discussions of Oct 2nd – please click here. Continue reading ‘5th Vienna Music Business Research Days in Retrospective’
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