Posts Tagged ‘touring business

18
Apr
19

International Journal of Music Business Research – April 2019, vol. 8, no. 1

The April issue 2019 of the International Journal of Music Business Research (IJMBR) opens with the article “Digital enabled experience – the listening experience in music streaming”. Bård Tronvoll, Professor of Marketing at the Business School of Inland Norway University of Applied Sciences, analyses the drivers as well as the outcomes of music listening on streaming platforms such as Spotify.

The second article – “An analysis of ticket pricing in the primary and secondary concert marketplace” – by Terrance Tompkins of Hofstra University in New York City is a literature survey on the factors that impact the pricing of concert tickets in primary and secondary markets.

Silvia Donker, who was awarded the best paper in the Young Scholars’ Workshop of the 9th Vienna Music Business Research Days 2018, contributes the third article of this issue. “Networking data. A network analysis of Spotify’s socio-technical related artist network” provides a case study on Spotify’s related artist network of the Dutch drum & bass band Noisia.

This issue rounds up with a book review of “The Music Business and Digital Impacts. Innovations and Disruptions in the Music Industries” by Daniel Nordgård, published as the first volume in the Music Business Research series of Springer Publishing.

 

Volume 8, no 1, April 2019

Editorial by Peter Tschmuck, pp. 4-5

Bård Tronvoll: Digital enabled experience – listening experience in music streaming, pp. 6-38

Terrance Tompkins: An analysis of ticket pricing in the primary and secondary concert marketplace, pp. 39-66

Silvia Donker: Networking data. A network analysis of Spotify’s sociotechnical related artist network, pp. 67-101

Book review by Peter Tschmuck: The Music Business and Digital Impacts. Innovations and Disruptions in the Music Industries by Daniel Nordgård, pp. 102-105

 

 

04
Sep
18

Introducing our guests: Ernst L. Hartz (E. L. Hartz Promotion, Bonn)

“Music Life Is Live” is the main topic of the 9th Vienna Music Business Research Days from Sep. 12-14, 2018. In presentations and discussions music business representatives and music business researchers focus this time on the political economy of music festivals and the economics of the international concert and touring business. Find the program here.

Ernst L. Hartz is a participant of the panel discussion on “The International Concert and Touring Business” with Jake Beaumont-Nesbitt (International Music Managers Forum, London, UK), Harry Jenner (Frequency Festival, Austria) and Peter Jenner (Sincere Music, London, UK) moderated by Berthold Seliger from 16:15-17:30 in Joseph Haydn-Hall at the University of Music and Performing Arts Vienna.

Ernst-Ludwig Hartz is promoting concerts and festivals since 40 years. As a local promoter he worked with Rage against the Machine, Pink Floyd, U2, Tine Turner, Michael Jackson, Johnny Cash, Nick Cave & the Bad Seeds, Genesis, Peter Gabriel, Page & Plant, Roxy Music, Coldplay or Eminem to name just a few.

One of his festivals was the Bizarre Festival (1987-2002) – the first big alternative festival in Germany. Bands like the Foo Fighters, Beck, Iggy Pop, Rammstein, die Ärzte, die Toten Hosen, The Chemical Brothers, Korn or Faith No More played at the event.

Since 2012 with his partner Martin Nötzel he has build an open air site in the Beethoventown Bonn-Kunst!Rasen – a 9,000 capacity venue which saw artists like Lou Reed, Bob Dylan, Patti Smith, Santana, Gov’t Mule, Jan Delay & Disko No 1, BAP, Limp Bizkit, ZAZ or Deichkind. His latest coup were three shows at Roncalliplatz in Cologne(near the cathedral) which saw this summer sold out shows with Van Morrison, Patti Smith and Joan Baez.

 

 

 

03
Sep
18

Introducing our guests: Berthold Seliger (Konzertagentur Seliger, Berlin)

“Music Life Is Live” is the main topic of the 9th Vienna Music Business Research Days from Sep. 12-14, 2018. In presentations and discussions music business representatives and music business researchers focus this time on the political economy of music festivals and the economics of the international concert and touring business. Find the program here.

On September 14, Berthold Seliger (Konzertagentur Seliger, Berlin) holds a keynote on “Empire business or cultural diversity. About the reality of the concert business” from 14:00-14:45 in Joseph Haydn-Hall at the University of Music and Performing Arts Vienna. He is also moderating the panel discussion on “The International Concert and Touring Business” with Jake Beaumont-Nesbitt (International Music Managers Forum, London, UK), Ernst L. Hartz (E. L. Hartz Promotion Bonn, Germany), Harry Jenner (Frequency Festival, Austria), Peter Jenner (Sincere Music, London, UK) from 16:15-17:30 in Haydn-Hall.

Berthold Seliger is European agent and German tour promoter for more than 30 years. He is also writing books about the business with music (“Das Geschäft mit der Musik”, 2013, 7th edition; “Klassikkampf”, 2017, 2nd edition), and his essays on cultural, musical and political issues are regularly published in newspapers and magazines in Germany, Austria and Switzerland (Berliner Zeitung, Frankfurter Allgemeine Zeitung, Jungle World, Konkret, Versorgerin and others). He is doing lecture shows on these topics from Berlin to Beijing (www.bseliger.de).

 

 

 

 

30
Aug
18

Introducing our guests: Harry Jenner (Frequency Festival)

“Music Life Is Live” is the main topic of the 9th Vienna Music Business Research Days from Sep. 12-14, 2018. In presentations and discussions music business representatives and music business researchers focus this time on the political economy of music festivals and the economics of the international concert and touring business. Find the program here.

Harry Jenner (Frequency Festival, Austria) is one of the discussants of the panel on “The International Concert and Touring Business” moderated by Berthold Seliger (Seliger Konzertagentur, Berlin) on September 14 from 16:15-17:30. Other panelists are Peter Jenner (Sincere Management, London), who organized a number of free concerts in London’s Hyde Park which included the 1969 concert by The Rolling Stones and Jake Beaumont-Nesbitt (International Music Managers Forum, London).

Harry Jenner is is the founder and organizer of the Frequency Festival, which is one of the largest music festival in Austria with more than 200,000 visitors on four days in 2018. This year the Frequency line-up included the Gorillaz, Macklemore, Kygo and many other national and international acts. He is also the co-founder and co-organizer of the Nova Rock Festival and a shareholder of the Barracuda Holding which promotes the largest music festivals and hundreds of concerts in Austria each year.

 

 

14
Aug
18

Introducing our guests: Jake Beaumont-Nesbitt (IMMF, London)

“Music Life Is Live” is the main topic of the 9th Vienna Music Business Research Days from Sep. 12-14, 2018. In presentations and discussions music business representatives and music business researchers focus this time on the political economy of music festivals and the economics of the international concert and touring business. Find the program here.

Jake Beaumont-Nesbitt (International Music Managers Forum, IMMF) is one of the discussants of the panel on “The International Concert and Touring Business” moderated by Berthold Seliger (Seliger Konzertagentur, Berlin) on September 14 from 16:15-17:30.

Jake  manages composer Peter Gregson, and advises a number of artists on rights management and career development. He is the policy advisor to The International Music Managers Forum (IMMF), an organisation that brings together artist representative associations from 30 countries. It represents managers and the artists they work with to establish better trading conditions for creators through networking, sharing and discussions.

 

 

 




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