Posts Tagged ‘value creation

06
May
15

International Journal of Music Business Research – April 2015, vol. 4, no. 1

The April issue of the International Journal of Music Business Business Research is now available online. This special issue – edited by Martin Lücke (professor at Macromedia University of Applied Sciences Berlin) and Carsten Winter (professor at the Hanover University of Music, Drama and Media – focuses on the German music economy. In the first article, Helmut Scherer & Carsten Winter (both full professors at the Hanover University of Music, Drama and Media) discuss success factors for music-based crowdfunding in Germany. Ronny Gey (University Jena), Frank Schumacher, Stephan Klingner (both University Leipzig) and Bettina Schasse de Araujo (Institute for Applied Informatics) highlight the conflict between artistic and economic rationales in a shrinking recorded music market that negatively affects creative and innovative processes in the music industry. In the third article David-Emil Wickström (Pop Academy Baden-Württemberg), Martin Lücke and Anita Jóri (both Macromedia University of Applied Sciences Berlin) discuss the higher education of musicians and music industry workers within the field of Popular Music in Germany.

Volume 4, no 1, April 2015 – special issue on the German Music Economy

Editorial by Martin Lücke & Carsten Winter, pp. 4-8

Helmut Scherer & Carsten Winter: Success factors for music-based crowdfunding as a new means of financing music projects, pp. 9-25

Ronny Gey, Frank Schumacher, Stephan Klingner & Bettina Schasse de Araujo: Buried by administration: How the music industry loses its creativity. An empirical study of German music labels and publishers, pp. 26-54

David-Emil Wickström, Martin Lücke & Anita Jóri: The higher education of musicians and music industry workers in Germany, pp. 55-88

28
Oct
12

International Journal of Music Business Research, vol. 1, no. 2, October 2012

In the recently published issue of the International Journal of Music Business Research the following articles are included:

Customer experience management in the music industry online communities by Jari Salo, Professor of Marketing at the Oulu Business School/Finland.

The new artrepreneur – how artists can thrive on a networked music business by Maike Engelmann, Lorenz Grünewald and Julia Heinrich, best paper award winner of the Young Scholars’ Workshop of the 3rd Vienna Music Business Research Days 2012.

How media prosumers contribute to social innovation in today’s new networked music culture and economy by Carsten Winter, Full Professor for Media and Music Management at the Department of Journalism and Communication Research (IJK) at Hanover University of Music, Drama and Media/Germany.

Click here for full version vol. 1, no. 2, October 2012 of the International Journal of Music Business Research

Continue reading ‘International Journal of Music Business Research, vol. 1, no. 2, October 2012′

03
Apr
12

International Journal of Music Business Research – April 2012, vol. 1, no. 1

One might wonder if there is a need for an academic journal on the music business. Several high-profile trade publications on the music business are published regularly and in the torrent of academic journals one can find titles that focus on popular music, the creative industries, cultural economics and arts management. Nevertheless, there is a gap for a publication wholly dedicated to the academic research of music business and industry topics. The International Journal of Music Business Research (IJMBR) tries to fill this gap by providing a new platform for publication of articles on the phenomena of the music economy from different scientific perspectives.

The first issue of the IJMBR reflects a wide range of music business research topics that fit within the scope of the journal’s remit. In a theoretical piece, Patrik Wikström argues that the economic value created from recorded music is increasingly based on context rather than on ownership and that the focus of music distribution should shift from download and streaming to contextual models of music experience. The second paper is contributed by Pinie Wang, who highlights, in a historical analysis, the complex inter-relationship between the US media, advertising and music industries. Martin Kretschmer then addresses his contribution to the recent EU-copyright term extension for sound recordings, proposing that copyright interests should be transferable only for an initial term of 10 years, after which they will revert to the creator. This should lead to a remarkable decrease in orphaned work and should foster creativity and innovation.


Click here for the first issue of the International Journal of Music Business Research (IJMBR)

If you want to submit an article for publication in the IJMBR please send it to: music.business.research@gmail.com




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