Posts Tagged ‘VMBR-Days 2019

20
Aug
19

Introducing our guests: Vaughn McKenzie-Landell (JAAK, London, UK)

In the 10th anniversary Vienna Music Business Research Days on the “Future of the Music Business” at the University of Music and Performing Arts Vienna (Anton-von-Webern-Platz 1, 1030 Vienna/Austria) music business researchers and music business professionals look into the recent past of the music industry to learn more about its future. Find the program here.

In the afternoon panel discussion on “What’s Next after Music Streaming?” the blockchain start-up entrepreneur Vaughn McKenzie-Landell is one of the panelist along with Lucie Caswell (Featured Artist Coalition, London, UK), Pete Downton (7digital, London, UK), Phil Graham (University of the Sunshine Coast, Australia) and Michael Smellie (Start-up investor, Brisbane, Australia)

Vaughn McKenzie-Landell is CEO and co-founder at JAAK. He has been a pivotal figure in communicating the bold vision of JAAK to build a space for convergence and collaboration for media industries, and has spoken at conferences around the world including SXSW, FastForward and EthCC. Following an initial spell in finance at Dow Jones, Vaughn co-founded music production group, The Arcade, before venturing into the world of User Experience Design and Product Development. Vaughn most recently spent four years consulting at Virgin Media on Software Adoption. In early 2018, Vaughn was named one of Forbes’ ‘30 Under 30′.

 

 

 

 

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17
Jan
19

Call-for-papers: 9th Young Scholars’ Workshop of the 10th Vienna Music Business Research Days 2019, September 11, 2019

The Young Scholars’ Workshop, as part of the 10th Vienna Music Business Research Days (Vienna, Austria), invites once again young researchers to submit paper abstracts of all disciplines exploring questions that help understand economic and managerial problems as well as processes of the music business sector and in the field of music management. There are many questions that call for investigation and need to be discussed in music business research, for example:

  • What drives innovation in the music business sector?
  • How can we scientifically understand and differentiate music business models?
  • What do we know about critical success factors? Have success factors changed over time – and has music business (entrepreneurship) changed in general?
  • What rationalities affect this very “personal” industry?
  • What does it mean to be self-managed in the music business?
  • What can we learn about the customer’s willingness to pay for music recordings or related goods?
  • Who will control the future music market, e.g., startups or Apple?
  • How can we understand the role of brands and the music industry?
  • And how can music business research support efforts for innovative business models?
  • What issues of gender, class or “race” exist in a music business context? How are they dealt with?

 

These research questions are not exhaustive, papers may also address other aspects.

The workshop organizers Prof. Dr. Peter Tschmuck (University of Music and Performing Arts Vienna) and Prof. Dr. Carsten Winter (Hanover University of Music, Drama and Media) strongly encourage submissions from students at all levels of MA & PhD. Students are supposed to work on their MA or PhD thesis and discuss it with senior researchers of music business research.

Abstracts (of about 1,000 characters) are due by April 29, 2019, and full papers (15-30 pages) are due by July 31, 2019. Only abstracts and papers submitted on time will be considered.

A maximum of 6-8 papers will be selected for presentation to guarantee a workshop atmosphere. The sessions will combine paper presentations and discussions including interactive elements. Information on the acceptance of the paper proposal will be sent until May 20, 2019, at the latest.

Please email your submission to youngscholars@imbra.eu

Paper proposals and final papers must be submitted as pdf documents and should include contact information, at least affiliation, e-mail address, telephone number and postal address of the author(s).

 

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