Objective

The Vienna Music Business Research Days want to bring together scholars from all disciplines and interested music business professionals in Vienna every year in order to present their findings and exchange ideas about it.

Music business research is a new scientific approach at the intersection of economic, artistic, especially musical, cultural, social, legal, technological developments that aims at a better understanding of the creation/production, dissemination/distribution and reception/consumption of the cultural good music. It follows an inter-disciplinary research and teaching approach that is characterized by methodological diversity.

 

Conference site & how to get there

Ticketing and conference accomodation

 

 

Program of the 8th Vienna Music Business Research Days on

“Unchaining the Digital Music Business?”

 

Sep. 12th, 2017, 09:00-17:00: Young Scholars’ Workshop

Large Conference Room at the Department of Cultural Management and Gender Studies (IKM), University of Music and Performing Arts Vienna, Anton-von-Webern-Platz 1, 1030 Vienna, Austria

Find the workshop’s program here: https://musicbusinessresearch.wordpress.com/young-scholars-workshop-2017/

 

Sep. 13th, 2017, 09:00-18:00: Conference Track Day

Joseph Haydn Hall and Large Conference Room at the Department of Cultural Management and Gender Studies (IKM), University of Music and Performing Arts Vienna, Anton-von-Webern-Platz 1, 1030 Vienna, Austria

The following papers were accepted by the program committee:

Brown, Steven C. (University of Strathclyde, Glasgow, UK): Illegal music downloading: A psychologist tells some tales

Burchard, Jason (London School of Economics and Political Science, UK): Conceptualizing an entrepreneurial growth model of the 21st century music industry

Carugno, Giovanna (University of Campania, Italy): Copyright protection and choreographies: New issues, old solutions?

Cuadrado-García, Manuel; González-Casal, Pablo & Montoro-Pons, Juan D. (University of Valencia, Spain): Music education and music genres preference: An exploratory research with young people

Flath, Beate (University of Paderborn, Germany): Festivals in rural regions: An empirical study on value creation processes through the example of the Orange Blossom Special Festival (OBS)

Karjalainen, Toni-Matti (Aalto University School of Business, Helsinki, Finland): Distributed team leadership in a rock band – curing the discordant alliance of creativity and business?

Lenten, Liam (La Trope University Melbourne, Australia) & McKenzie, Jordan (Macquarie University Sydney, Australia): “The times they are a-changin'”: On the ephemeral nature of music polls

Luck, Geoff (University of Jyväskylä, Finland): Relationships between music preferences, demographics and listening habits across five key markets

Marshall, Lee & Haynes, Jo (University of Bristol, UK): Beats and tweets: Social media in the careers of independent musicians

Montoro-Pons, Juan D. & Cuadrado-García, Manuel (University of Valencia, Spain): Assessing the impact of headlining a music festival

Morrow, Guy (Macquarie University Sydney, Australia): Agile management strategies within the music industries: Artist management and the problem of creative labour

Peres da Silva, Glaucia (University of Duisburg-Essen, Germany): Discussing value in the music economy – notes on economic and aesthetic values of music occupation

Prey, Robert (University of Groningen, The Netherlands): The quantified artist: The musician after datafication

Quack, Sigrid & Hondros, Konstantin (University of Duisburg-Essen, Germany): Transforming regulatory uncertainty in musical creativity? Legal professionals’ practices in the music business

Richerts, Damaris (University of Music and Performing Arts Vienna, Austria) & Boubela, Roland N. (Medical University Vienna, Austria): “I hear with my little ear” – a case study investigating implications for audience development strategies induced by cross cultural music perception differences

Senges, Wolfgang (ContentSphere, Berlin, Germany): Blockchain for music business: Preventing the threat of disruption by transition management

Stewart, Sarita M. (Belmont University, Nashville, US): The use of the artist-fan engagement model as a strategy tool

Tronvoll, Bård & Haampland, Ola (Hedmark University of Applied Sciences, Elverum, Norway): Music digital streaming – the formation of listening experience

Valiati, Leandro & da Silva, Pedro Perfeito (Federal University of Rio Grande do Sul, Porto Alegre, Brazil): Digitization, creative industries and global value chain: An analysis about music industry in Brazil

Wiesener, Oliver (Stuttgart Media University, Germany): Gender-specific music preferences at video ads

 

Sep. 14th, 2017, 09:00-17:30: Invited Conference Day

Joseph Haydn Hall and Large Conference Room at the Department of Cultural Management and Gender Studies (IKM), University of Music and Performing Arts Vienna, Anton-von-Webern-Platz 1, 1030 Vienna, Austria

09:00-09:30: WELCOME

09:30-10:15: Daniel Nordgård (University of Agder in Kristiansand, Norway): “New Gatekeeping Processes in the Digital Music Business”

10:15-11:15: Panel discussion on “New Gatekeeping Processes in the Digital Music Business”: Sally Gross (Westminster University, London), Sarita Stewart (Mike Curb College of Entertainment & Music Business, Belmont University Nashville/USA), Scott Cohen (The Orchard, London and New York), Jake Beaumont-Nesbitt (International Music Managers Forum, London) moderated by Daniel Nordgård

11:15-11:45: COFFEE BREAK

11:45-12:45: George Musgrave (Westminister University, London): Control and Autonomy in the Digital Music Business

12:45-14:00: LUNCH BREAK

14:00-14:45: Keynote 1 by Paul Crick (Senior Managing Consultant, Digital Transformation, Media & Entertainment, IBM, Flintham/UK): “The Applications of Blockchain Technology in the Music Business”

14:45-15:30: Keynote 2 by Wolfgang Senges (Strategic Consultant in Digital Media, ContentSphere, Berlin): “The Benefits and Challenges of Blockchain Technology in the Music Business”

15:30-16:00: COFFEE BREAK

16:00-17:30: Panel discussion “Unchaining the Digital Music Business?” with Carlotta de Ninni (Mycelia for Music Foundation, London), Kelly Snook (Professor of Media Arts Technology, University of Brighton/UK), Peter Harris (resonate, Berlin), Paul Crick (Senior Managing Consultant IBM, Flintham/UK) moderated by Wolfgang Senges (ContentSphere, Berlin)

17:30: Awarding the young scholars’ workshop best paper

 

Call-for-Papers (alrealy closed)

 

Important dates

March 31, 2017             Abstract submission deadline

May 15, 2017                Notification of acceptance

July 31, 2017                Submission deadline for full papers

September 12, 2017    Young Scholars’ Workshop

September 13, 2017    Conference day

September 14, 2017    Conference day for invited speakers on “Unchaining the Digital Music Business?”

 

Registration Fee

The registration fee includes conference attendance, reception, coffee breaks and lunch on conference days as well as the Heurigen-Dinner on September 14, 2017.

Registration fee – early bird (until July 31, 2017):              175,- Euro

Registration fee:                                                                 225,- Euro

End of registration (no refund after this date):                   August 31, 2017

 

Get your ticket at Eventbrite.

 

Contact

Dagmar Abfalter (mailto: vmbrdays@gmail.com)

Department of Cultural Management and Gender Studies (IKM)

University of Music and Performing Arts, Vienna

Anton-von-Webern-Platz 1, 1030 Vienna, Austria

Tel.: +43-1-71155-3418  /  Fax: +43-1-71155-3499
https://musicbusinessresearch.wordpress.com/vienna-music-business-research-days-2/

 

 

 

ARCHIVE

Seventh Vienna Music Business Research Days 2016 on Financing  Music in the Digital Age

Summary including all papers for download and presentations in live-streams

Program of the seventh Vienna Music Business Research Days 2016

 

Sixth Vienna Music Business Research Days 2015 on Financing  Music in the Digital Age

Summary including all papers for download and presentations in live-streams

Program of the sixth Vienna Music Business Research Days 2015

 

Fifth Vienna Music Business Research Days 2014 on the Monetization of Music in the Digital Age

Summary including all papers for download and presentations in live-streams

Program of the fifth Vienna Music Business Research Days 2014

 

Fourth Vienna Music Business Research Days 2013 on the Future of Music Licensing

Summary including all papers for download and presentations in live-streams

Program of the fourth Vienna Music Business Research Days 2013

 

Third Vienna Music Business Research Days 2012 on New Music Distribution Models

Summary including all papers for download and presentations in live-streams

Program of the third Vienna Music Business Research Days 2012

 

Second Vienna Music Business Research Days 2011 on New Music Distribution Models

Summary including all papers for download and presentations in live-streams 

Program of the second Vienna Music Business Research Days 2011

 

 

First Vienna Music Business Research Days 2010 on Music File Sharing and Music Flatrate Models

Summary including all papers for download and presentations in live-streams 

Program of the first Vienna Music Business Research Days 2010

 


43 Responses to “Vienna Music Business Research Days”






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