Posts Tagged ‘music streaming

05
Sep
17

The Economics of Music Streaming – Book presentation & Panel Discussion

In collaboration with the Austrian and Viennese Chamber of Commerce an additional event of the 8th Vienna Music Business Research Days 2017 wil take place in Gewerbehaus of the Austrian Chamber of Commerce (3., Rudolf Sallinger Platz 1) on September 13 from 19:00-21:00. After the book presentation “The Economics of Music” by Peter Tschmuck, Peter Jenner (Sincere Management, London), Sally Gross (University of Westminster, London), Hannes Tschürtz (ink music, Vienna) and Alexander Hirschenhauser (VTMÖ – Austrian Indie Label Association, Vienna) discuss on “The Economics of Music Streaming – Revenue Streams for Musicans and Music Producers from Spotify & Co?

Entrance is free, please register here: Austrian Chamber of Commerce (WKO)

 

The Economics of Music Streaming – Revenue Streams for Musicans and Music Producers from Spotify & Co?
September 13, 2017
19.00-21.00
Gewerbehaus
Große Dachterrasse
Rudolf Sallinger Platz 1, 1030 Wien

 

in collaboration with  Bildergebnis für WKÖ logo      and       Bildergebnis für wirtschaftskammer wien

 

 

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08
Jun
17

The Economics of Streaming – book presentation event in London on June 15, 2017

My new book – The Economics of Music – that has been recently published by Agenda Publishing will be presented to the public in a MusicTank event at the University of Westminster from 7:00pm-9:30pm on June 15, 2017. After a short introduction to the book , I will discuss the question “The Economics of Streaming: Full Stream Ahead?” with Sally Gross (University of Westminster), Peter Jenner (Sincere Managment) and Mark Mulligan (Midea Research Consulting) chaired by Keith Harris (Keith Harris Music Ltd.).

Location: Fyvie Hall, University of Westminster, 309 Regent Street, London, W1B 2UW

Date: June 15, 7:00pm to 9:30pm

Click here for more information: MusicTank webpage

 

Peter Tschmuck, 2017, The Economics of Music. Newcastle-upon-Tyne: Agenda Publishing.

Hardback £55.00 | $70.00 ISBN 9781911116073
Paperback £16.00 | $23.00 ISBN 9781911116080
e-book £16.00 | $23.00 ISBN 9781911116097
Buy a book copy here: Agenda Publishing

 

 

 

 

 

13
Jul
16

The Economics of Music Streaming: Spotify

2016 is the pivotal year for the music streaming industry. After years of growth, we can expect a market consolation for the new few months with mergers, acquisitions and insolvencies. Thus, the question arises which music streaming services will survive that consolidation process. I try to assess who will be the winners and losers by analysing the financials of several music streaming companies. In the first part of this series I examine the global market leader in the music streaming market, the Swedish music streaming company Spotify.

Continue reading ‘The Economics of Music Streaming: Spotify’

28
Sep
15

6th Vienna Music Business Research Days, Sep. 29 – Oct.1, 2015

VMBRD-logoThe 6th Vienna Music Business Research traditionally start with the Young Scholars’ Workshop in the Large Conference Room of the Institute for Cultural Management and Cultural Studies (IKM) at 9:00am on September 29, 2015. Graduate and PhD students from Brazil, Ecuador, Germany, Hungary, Norway and Poland will present their theses in a closed workshop to highly regarded music business/industry research who will comment on and discuss the papers.

The second conference day on September 30, will be devoted to academic music business research in Joseph Haydn-Hall in the main building of the University of Music and Performing Arts Vienna from 9:00am to 18:00pm. Scholars from the Australia, Austria, China, Brazil, Germany, Iran, the Netherlands and Spain will highlight current results of their reseach on the music business/industry.

“Financing Music in the Digital Age” is the main topic of the third conference day in Joseph Haydn-Hall of the University of Music and Performing Arts Vienna  from 9:00am to 17:00pm on October 1. The conference day will be opened at by Dagmar Abfalter (University of Music and Performing Arts Vienna) with a paper – co-authored by Serge Poisson-de Haro (HEC Montreal) – answering the question is “Opera Streaming a New Revenue Source?” . In the following panel discussion – conducted by Dagmar AbfalterLuke O’Shaughnessy (The Oper Platform, Brussels), Christof Papousek (Cineplexx International GmbH, Vienna), Christopher Widauer (Vienna State Opera) and Robert Zimmermann (Berlin Phil Media GmbH of the Berlin Philharmonic Orchestra) will discuss on “The Economic Relevance of Classical Music Streaming” from 10:15-11:15.

Before lunch – from 11:45-12:30 – Kieran Garvey, Policy Programmes Manager and Research Associate at the Cambridge Centre for Alternative Finance, will highlight the role of “Alternative Financing of Music” with a special focus on music crowfunding.

After lunch – from 14:00-14:45 – start-up entreneur Andreas Mahringer and business “angelina” Selma Prodanovich will unveil the processes and structures behind start-up funding in a case study on the Viennese-based music start-up Record Bird.

Andreas and Selma will then participate in the following panel disuccion – conducted by journalist Jakob Steinschaden – on “Music Start-up Funding in the Digitized Music Economy”. The other panelists are Michael Breidenbrücker (co-founder of LastFM; speedinvest, Vienna and London) and Peter Jenner (Sincere Management, London).

The conference will be closed with awarding the best paper of the Young Scholars’ Workshop in Joseph Haydn-Hall of the University of Music and Performing Arts Vienna at 17:00 on October 1, 2015.

 

Find more details on the conference program here: https://musicbusinessresearch.wordpress.com/vienna-music-business-research-days-2/

 

The conference day on October 1 will be audio live-streamed here: http://www.mdw.ac.at/mdwMediathek/livestream/ and please follow us on Twitter and Facebook.

 

Tickets for passive participation of EUR 40.- are available on Ticketgarden: https://www.ticketgarden.com/en-at/tickets/vienna-music-business-research-days-2015/

The tickets are also valid to visit the Waves Music Conference that also take place at University of Music and Performing Arts Vienna on October 1, 2015.

 

Conference site & how to get there

Ticketing and conference accomodation

 

25
Sep
15

Introducing our guests: Christopher Widauer (Vienna State Opera)

Foto Christopher WidauerThe 6th Vienna Music Business Research Days 2015 focus on “Financing Music in the Digital Age”. International experts and academics discuss new and alternative revenue sources for the music scene such as music streaming for the classic music business, crowdfunding and business angel funding.

Christopher Widauer, Head of Digital Development at the Vienna State Opera, will participate in the discussion on “The Economic Relevance of Classical Music Streaming” in Joseph Haydn-Hall of the University of Music and Performing Arts Vienna from 10:15-11:15 on October 1, 2015.

Christopher Widauer studies and works at Department of Philosophy, Salzburg and was then an arts manager in Germany and Austria, e.g. at Schubertiade Hohenems and as director of Styriarte Festival in Graz with Nikolaus Harnoncourt. From 1988-1991, he Developed a ticketing software that was installed in venues such as Viennese Konzerthaus Vienna, Salzburg Festival or Elbphilharmonie Hamburg. In 1989, he founded a puppet theatre for contemporary literature and music, touring internationally and playing at important festivals such as Biennale di Venezia, Bregenz, Lucerne, Kiev, Seoul, Bangkok, or Paris. From 2010-2013, he was Head of Theatre Department for Vienna’s City Councillor of Cultural Affairs. Since 2013, he is Head of Digital Development at Vienna State Opera, by developing and implementing a live broadcast programme that was launched in fall 2013.

 

 

24
Sep
15

Introducing our guests: Christof Papousek (Cineplexx International GmbH)

Foto Christof PapousekThe 6th Vienna Music Business Research Days 2015 focus on “Financing Music in the Digital Age”. International experts and academics discuss new and alternative revenue sources for the music scene such as music streaming for the classic music business, crowdfunding and business angel funding.

Christof Papousek, CFO of the Cineplexx International GmbH, will be joining the discussion on “The Economic Relevance of Classical Music Streaming” in Joseph Haydn-Hall of the University of Music and Performing Arts Vienna from 10:15-11:15 on October 1, 2015.

Christof Papousek has a high school degree in technical engineering and made his master of business administration at Vienna University of economy and commerce. He is specialized in accountancy, tax law and revision. During his studies he worked already as audit assistant at KPMG where he joined as a consultant after his university degree. After a couple of years of consulting and auditing work, Christof Papousek joined Constantin-Film group of companies, where he reconstructed the financial department and company structure. In 2004 he became managing director and in 2008 he joined as entrepreneur and Co-share holder in the international cinema operation. He is also covering several functions in the Austrian chamber of commerce representing film & cinema industry.

 

 

21
Sep
15

Introducing our guests: Robert Zimmermann (Berlin Phil Media GmbH)

Foto R. ZimmermannThe 6th Vienna Music Business Research Days 2015 focus on “Financing Music in the Digital Age”. International experts and academics discuss new and alternative revenue sources for the music scene such as music streaming for the classic music business, crowdfunding and business angel funding.

Robert Zimmermann, CEO of the Berlin Phil Media GmbH of the Berlin Philharmonic Orchestra, will join the panel discussion on “The Economic Relevance of Classical Music Streaming” in Joseph Haydn-Hall of the University of Music and Performing Arts Vienna from 10:15-11:15 on October 1, 2015.

Robert Zimmermann, management consultant and film producer with a long track record within the media industry, is the CEO of Berlin Phil Media GmbH and initiator of the Digital Concert Hall of the Berliner Philharmoniker. In this unprecedented online concert venue, all concerts of the Berliner Philharmoniker are broadcast live online and later become available within a video archive. This archive, a who is who of classical music, already boasts more than 320 concerts from seven seasons.

As manager and consultant, Mr. Zimmermann has worked on a wide variety of projects for prestigious clients such as Lufthansa, the World Bank Group and various international banks. He has held several posts as restructuring manager and is managing partner of eins54 Film GmbH.

As a film producer, he produced award-winning culture and music programs such as “One Night. One Life” and “Dichterliebe” which both feature Christine Schäfer. Mr. Zimmermann’s connection with the Berliner Philharmoniker goes back to his production of the silent movie “Le Sacre du Printemps” which was accompanied by the Berliner Philharmoniker and Sir Simon Rattle during Berlinale 2004.




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